Blackmagic URSA Cine 12K LF Camera
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Description
Blackmagic URSA Cine is a revolutionary digital film camera platform that introduces new advanced digital film technologies combined with total integration into the post production workflow. That means it's the first digital film camera platform with fast high capability storage built in, plus high speed networking for on set media sync. Blackmagic URSA Cine also introduces a new large format RGBW image sensors with larger photo-sites for incredible dynamic range. You can also swap between PL, LPL, EF and Hasselblad lens mounts. There's even WiFi with SRT streaming for remote client viewing. Plus the industry standard Lemo and Fischer connections make it perfect for high end cinema production.
Cinematic Large Format Sensor
URSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 17K! Building on the original 12K RGBW Super 35 sensor, the new large format design features larger photo-sites, delivering an astounding 16 stops of dynamic range! The unique RGBW architecture provides equal amounts of red, green and blue pixels for incredible color super sampling. This means it is optimized to deliver incredibly rich colors at all resolutions and provide the ultimate in image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever! Plus, in sensor scaling means you can record at all resolutions without cropping!
A Camera Body Optimized for High End Productions!
URSA Cine is designed to meet the demands of any high end production. The camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help you move quickly on set. Soft touch backlit buttons make controls easy to see in all conditions. There’s a 5″ fold out touchscreen for reviewing shots and accessing camera settings, plus a dedicated assist station on the other side of the camera, with 5″ LCD and full camera controls! Standard Lemo and Fischer connectors let you control the camera remotely while providing power for lens motors and other accessories. You also get 12G‑SDI out, 10G Ethernet, USB-C, XLR audio and more!
Large Format Flexibility
The large format sensors provide the ultimate in flexibility for aspect ratios, lenses and delivery formats! The full sensor area of the 12K LF gives you a stunning 3:2 open gate image, while the 17K 65 model provides a cinematic 2.20:1 image. Both models let you use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. The 12K LF model even has 9K Super 35 modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality!
Interchangeable Lens Mounts
Different projects require different lenses which is why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next! Plus, each mount has contact pins to read lens metadata for monitoring and for use in post production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work!
High Resolution Monitoring and Camera Control
URSA Cine lets crews work faster on set with multiple monitoring options! The fold out monitor has a large 5″ HDR touchscreen on one side and an external color status LCD on the other. You can even rotate the screen and fold it back into the camera! On the right side of the camera, there’s a dedicated assist station with a second 5″ HDR touchscreen which allows crew to work around the camera without needing external monitors. Plus, with a 1500 nit display and removable sunshade, it’s always visible, even in bright sunlight. On screen overlays show status and record parameters, histogram, frame guides and more. There’s even a dedicated focus puller’s mode to help you get perfect focus!
Blackmagic RAW Fueled Image Capture
Blackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options are designed to give you the best possible images with predictable and consistent file size. URSA Cine records to the Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or a massive 20 hours in 4K!