{"title":"Camera","description":"","products":[{"product_id":"blackmagic-pocket-cinema-camera-4k","title":"BlackMagic Pocket Cinema Camera 4K","description":"\u003cdiv class=\"woocommerce-Tabs-panel woocommerce-Tabs-panel--description panel entry-content wc-tab\" id=\"tab-description\" role=\"tabpanel\" aria-labelledby=\"tab-title-description\" data-mce-fragment=\"1\"\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eIntroducing the Next Generation Handheld 4K Digital Film Camera\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe revolutionary new Blackmagic Pocket Cinema Camera 4K is the camera you’ve been asking for.  It features an all new handheld design that puts the latest advanced digital film technology into the palm of your hand! The Blackmagic Pocket Cinema Camera 4K has a 4\/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600. That means you get stunning HDR images and incredible low light performance! The external controls give you quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Images are recorded onto standard SD\/UHS-II or CFast 2.0 cards in RAW and ProRes at up to 120 frames per second! In addition, the Blackmagic Pocket Cinema Camera 4K has an MFT lens mount, built-in microphones, mini XLR input, full sized HDMI, 3D LUT support, Bluetooth, USB-C Expansion Port and more.\u003c\/p\u003e\n\u003ch4 data-section-jump-id=\"1\" data-mce-fragment=\"1\"\u003ePortable, Affordable and Professional\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Blackmagic Pocket Cinema Camera 4K gives you \u003cspan class=\"nb-lg\" data-mce-fragment=\"1\"\u003ethe professional\u003c\/span\u003e features you need, all in a portable and affordable design that can be used anywhere. It’s perfect for shooting independent films and documentaries, fashion shows, travel blogs, web videos, weddings, corporate video, sports and more. The incredible image quality, advanced Blackmagic Design color science and RAW recording features let you shoot images that rival professional digital film cameras costing tens of thousands more. That means you get the image quality you need to seamlessly mix footage from the Blackmagic Pocket Cinema Camera 4K with other types of cameras used on high end Hollywood feature films and episodic television shows.\u003c\/p\u003e\n\u003ch4 data-section-jump-id=\"3\" data-mce-fragment=\"1\"\u003e4K Digital Film Sensor\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Blackmagic Pocket Cinema Camera 4K features a full size 4\/3 sensor that gives you 4096 x 2160 resolution with an incredible 13 stops of dynamic range for true digital film quality. Because it’s full size, the 4\/3 sensor reduces crop factor, giving you a wider field of view. It also has dual \u003cspan class=\"nb-lg\" data-mce-fragment=\"1\"\u003enative ISO\u003c\/span\u003e up to 25,600 so you get incredible low light performance. The Blackmagic Pocket Cinema Camera 4K can record at up to 60 frames per second in 4K and up to a massive 120 frames per second for windowed HD. The camera features fourth generation Blackmagic Design color science with film, video and extended video modes. The new extended mode gives you the latitude of film with the convenience of video, so you get great looking images without having to do a lot of work in post production.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe BlackMagic Pocket Cinema Camera 4K is available for Sale and Rent at Lapham Sales \u0026amp; Rentals in Vancouver and we can also ship Nationwide.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"S.F. 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Marketing Inc.","offers":[{"title":"Default Title","offer_id":40455903576122,"sku":"CINECAMPOCHDEF6K2","price":2975.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/b2932994d90a7f0e73494705300315b3.jpg?v=1714678779"},{"product_id":"blackmagic-design-cinema-camera-6k-leica-l","title":"Blackmagic Design Cinema Camera 6K (Leica L)","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\u003cp\u003eThe Blackmagic Cinema Camera 6K is a next generation, handheld 6K digital film camera with 6048 x 4032 full frame high resolution HDR sensor, dual native ISO, L‑Mount, CFexpress recording and direct recording to USB-C disks! Blackmagic Cinema Camera 6K features an OLPF for better detail handling, records stunning 12-bit Blackmagic RAW for cinematic images as well as real time H.264 proxies!\u003c\/p\u003e\u003ch4\u003eCamera Features\u003c\/h4\u003e\u003cp\u003e\u003cstrong\u003eEffective Sensor Size\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e36mm x 24mm (Full Frame)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eActive L-Mount.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLens Control\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIris and focus on supported lenses.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e13 Stops.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDual Native ISO\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e400 and 3200\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eShooting Resolutions\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e6048 x 4032 (Open Gate 3:2) up to 36 fps\u003c\/p\u003e\u003cp\u003e4832 x 4032 (Anamorphic 6:5) up to 36 fps\u003c\/p\u003e\u003cp\u003e6048 x 3200 (6K DCI 17:9) up to 48 fps\u003c\/p\u003e\u003cp\u003e6048 x 2520 (6K 2.4:1) up to 60 fps\u003c\/p\u003e\u003cp\u003e4096 x 3072 (Super 35 4:3) up to 50 fps\u003c\/p\u003e\u003cp\u003e4096 x 2160 (4K DCI 17:9) up to 60 fps\u003c\/p\u003e\u003cp\u003e2112 x 1184 (Super 16 16:9) up to 100 fps\u003c\/p\u003e\u003cp\u003e1920 x 1080 (1080 HD 16:9) up to 120 fps\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFrame Rates\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMaximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.\u003c\/p\u003e\u003cp\u003eOff-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in 1080HD.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFocus\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAuto focus available using compatible lenses.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eScreen Dimensions\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e5” 1920 x 1080.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eScreen Brightness\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e1500 nits\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eScreen Type\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eLCD capacitive touchscreen.\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"S.F. Marketing Inc.","offers":[{"title":"Default Title","offer_id":40459637227578,"sku":"CINECAM60KLFL","price":3869.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/6b0b4cce50aaf000b611843ad8336d63.jpg?v=1746814489"},{"product_id":"blackmagic-pocket-cinema-camera-6k-pro","title":"Blackmagic Pocket Cinema Camera 6K Pro","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\u003cp\u003eThe Blackmagic Pocket Cinema Camera 6K Pro is an advanced technology, handheld 6K digital film camera with 6144 x 3456 Super 35 high resolution HDR sensor, dual native ISO, EF lens mount and direct recording to USB‑C disks! This powerful model adds an adjustable HDR touchscreen, built in ND filters, and a larger battery for longer run time. You can even add an optional OLED viewfinder!\u003c\/p\u003e\u003ch4\u003eCamera Features\u003c\/h4\u003e\u003cp\u003e\u003cstrong\u003eEffective Sensor Size\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e23.10mm x 12.99mm (Super 35)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eActive EF mount.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLens Control\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIris, focus and zoom on supported lenses.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e13 Stops.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDual Native ISO\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e400 and 3200\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eShooting Resolutions\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e6144 x 3456 (6K) up to 50 fps\u003c\/p\u003e\u003cp\u003e6144 x 2560 (6K 2.4:1) up to 60 fps\u003c\/p\u003e\u003cp\u003e5744 x 3024 (5.7K 17:9) up to 60 fps\u003c\/p\u003e\u003cp\u003e4096 x 2160 (4K DCI) up to 60 fps\u003c\/p\u003e\u003cp\u003e3840 x 2160 (Ultra HD) up to 60 fps\u003c\/p\u003e\u003cp\u003e3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps\u003c\/p\u003e\u003cp\u003e2880 x 1512 (2.8K 17:9) up to 120 fps\u003c\/p\u003e\u003cp\u003e1920 x 1080 (HD) up to 120 fps\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFrame Rates\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMaximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.\u003c\/p\u003e\u003cp\u003eOff-speed frame rates up to 60 fps in 6K 2.4:1, 120 fps in 2.8K 17:9 and 1080HD.\u003c\/p\u003e\u003ch4\u003eWhat's Included\u003c\/h4\u003e\u003cp\u003e-Blackmagic Pocket Cinema Camera 6K Pro\u003c\/p\u003e\u003cp\u003e-Lens turret dust cap\u003c\/p\u003e\u003cp\u003e-Camera strap\u003c\/p\u003e\u003cp\u003e-30W power supply with locking connector and international adapters\u003c\/p\u003e\u003cp\u003e-NP-F570 battery\u003c\/p\u003e\u003cp\u003e-NP-F series battery USB charger\u003c\/p\u003e\u003cp\u003e-Welcome booklet\u003c\/p\u003e\u003cp\u003e-DaVinci Resolve Studio activation key\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"S.F. Marketing Inc.","offers":[{"title":"Default Title","offer_id":40459637784634,"sku":"CINECAMPOCHDEF06P","price":3779.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/12e4e4ba7e3015e00fece7e02a3a7ef6.jpg?v=1746662783"},{"product_id":"blackmagic-ursa-cine-12k-lf-camera","title":"Blackmagic URSA Cine 12K LF Camera","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\u003cp\u003e\nBlackmagic URSA Cine is a revolutionary digital film camera platform that introduces new advanced digital film technologies combined with total integration into the post production workflow. That means it's the first digital film camera platform with fast high capability storage built in, plus high speed networking for on set media sync. Blackmagic URSA Cine also introduces a new large format RGBW image sensors with larger photo-sites for incredible dynamic range. You can also swap between PL, LPL, EF and Hasselblad lens mounts. There's even WiFi with SRT streaming for remote client viewing. Plus the industry standard Lemo and Fischer connections make it perfect for high end cinema production.\u003c\/p\u003e\u003ch4\u003eCinematic Large Format Sensor\u003c\/h4\u003e\u003cp\u003e\n\n\u003c\/p\u003e\u003cp\u003e\nURSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 17K! Building on the original 12K RGBW Super 35 sensor, the new large format design features larger photo-sites, delivering an astounding 16 stops of dynamic range! The unique RGBW architecture provides equal amounts of red, green and blue pixels for incredible color super sampling. This means it is optimized to deliver incredibly rich colors at all resolutions and provide the ultimate in image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever! Plus, in sensor scaling means you can record at all resolutions without cropping!\u003c\/p\u003e\u003ch4\u003eA Camera Body Optimized for High End Productions!\u003c\/h4\u003e\u003cp\u003eURSA Cine is designed to meet the demands of any high end production. The camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help you move quickly on set. Soft touch backlit buttons make controls easy to see in all conditions. There’s a 5″ fold out touchscreen for reviewing shots and accessing camera settings, plus a dedicated assist station on the other side of the camera, with 5″ LCD and full camera controls! Standard Lemo and Fischer connectors let you control the camera remotely while providing power for lens motors and other accessories. You also get 12G‑SDI out, 10G Ethernet, USB-C, XLR audio and more!\u003c\/p\u003e\u003ch4\u003eLarge Format Flexibility\u003c\/h4\u003e\u003cp\u003eThe large format sensors provide the ultimate in flexibility for aspect ratios, lenses and delivery formats! The full sensor area of the 12K LF gives you a stunning 3:2 open gate image, while the 17K 65 model provides a cinematic 2.20:1 image. Both models let you use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. The 12K LF model even has 9K Super 35 modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality!\u003c\/p\u003e\u003ch4\u003eInterchangeable Lens Mounts\u003c\/h4\u003e\u003cp\u003eDifferent projects require different lenses which is why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next! Plus, each mount has contact pins to read lens metadata for monitoring and for use in post production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work!\u003c\/p\u003e\u003ch4\u003eHigh Resolution Monitoring and Camera Control\u003c\/h4\u003e\u003cp\u003eURSA Cine lets crews work faster on set with multiple monitoring options! The fold out monitor has a large 5″ HDR touchscreen on one side and an external color status LCD on the other. You can even rotate the screen and fold it back into the camera! On the right side of the camera, there’s a dedicated assist station with a second 5″ HDR touchscreen which allows crew to work around the camera without needing external monitors. Plus, with a 1500 nit display and removable sunshade, it’s always visible, even in bright sunlight. On screen overlays show status and record parameters, histogram, frame guides and more. There’s even a dedicated focus puller’s mode to help you get perfect focus!\u003c\/p\u003e\u003ch4\u003eBlackmagic RAW Fueled Image Capture\u003c\/h4\u003e\u003cp\u003eBlackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options are designed to give you the best possible images with predictable and consistent file size. URSA Cine records to the Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or a massive 20 hours in 4K!\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"S.F. Marketing Inc.","offers":[{"title":"Default Title","offer_id":40460533432378,"sku":"CINEURSAA12KLF","price":22345.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/4c70a1a5fbaaacfac9091647782ce6dc.jpg?v=1715109378"},{"product_id":"red-komodo-6k","title":"RED KOMODO 6K","description":"\u003ch4\u003eOVERVIEW\u003c\/h4\u003e\n\u003cp\u003eKOMODO® 6K is the latest breakthrough product in RED's long line of innovative image capture technology. The newest entrant into the RED lineup is a compact and highly powerful cinema camera. It features RED’s cinema grade image quality, color science and sensor technology into a portable form factor so users can take it anywhere and adapt it to any shooting scenario. ​\u003c\/p\u003e\n\u003cp\u003eThe new sensor in KOMODO is a 6K S35 global shutter sensor that breaks new technical ground by eliminating the need to sacrifice dynamic range and meets the RED standard of unmatched imagery without any creative or technical compromises. KOMODO also features a built-in Canon RF mount allowing users the flexibility to use numerous different lens adapters, such as Canon EF, PL and Leica M mount. KOMODO also has a DC IN power port and can also be powered using two Canon BP style batteries.\u003c\/p\u003e\n\u003cp\u003eIn-Camera Language Support: English, Simplified Chinese, Japanese, German, Spanish, French​​\u003c\/p\u003e\n\u003cp\u003eNOTE: The KOMODO 6K has an adaptable RF lens mount. KOMODO requires a lens mount adapter, i.e. RF to EF, RF to PL, in order to shoot.​ Canon Mount Adapter EF-EOS R included with camera.\u003c\/p\u003e\u003ch4\u003eSpecifications\u003c\/h4\u003e\u003ctable class=\"table table-bordered\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eSENSOR TYPE\u003c\/th\u003e\n\u003ctd\u003eKOMODO™ 19.9 MP Super 35mm Global Shutter CMOS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eEFFECTIVE PIXELS\u003c\/th\u003e\n\u003ctd\u003e6144 x 3240\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSENSOR SIZE\u003c\/th\u003e\n\u003ctd\u003e27.03 mm x 14.26 mm (Diagonal: 30.56mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDYNAMIC RANGE\u003c\/th\u003e\n\u003ctd\u003e16+ Stops\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMOUNT TYPE\u003c\/th\u003e\n\u003ctd\u003eRF mount\u003cbr\u003eAccepts Canon RF Mount Based Lenses and Adapters\u003cbr\u003eSupports Canon EF with full electronic communication via compatible Canon RF Mount Adapters\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMAX DATA RATES\u003c\/th\u003e\n\u003ctd\u003eUp to 280 MB\/s using RED Pro CFast or other qualified CFast 2.0 media cards [1]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eREDCODE® RAW MAX FRAME RATES\u003c\/th\u003e\n\u003ctd\u003e40 fps at 6K 17:9 (6144 x 3240)\u003cbr\u003e50 fps at 6K 2.4:1 (6144 x 2592)\u003cbr\u003e48 fps at 5K 17:9 (5120 x 2700)\u003cbr\u003e60 fps at 4K 17:9 (4096 x 2160)\u003cbr\u003e120 fps at 2K 17:9 (2048 x 1080)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4\u003eIncluded\u003c\/h4\u003e\u003cul\u003e\n\u003cli\u003eKOMODO 6K Body​\u003c\/li\u003e\n\u003cli\u003eAC Power Adaptor 45W​\u003c\/li\u003e\n\u003cli\u003eMini World Travel Adaptor Kit​\u003c\/li\u003e\n\u003cli\u003eRED Logo Sticker​\u003c\/li\u003e\n\u003cli\u003eKOMODO Information Card (incl. registration and support info)​\u003c\/li\u003e\n\u003cli\u003eBox with plastic \/ foam (standard minimalist markings)​\u003c\/li\u003e\n\u003cli\u003eCanon Mount Adapter EF-EOS R\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\n\n \u003cbr\u003e\u003c\/p\u003e","brand":"RED Digital Cinema, Inc.","offers":[{"title":"Default Title","offer_id":40521749463098,"sku":"710-0333-02","price":4295.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/f57d14f1f1421632b65c67f3766ad6ce.png?v=1718842024"},{"product_id":"red-komodo-6k-production-pack","title":"RED KOMODO 6K Production Pack","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\u003cp\u003eKOMODO® 6K has become a staple in the motion picture industry, providing first of its kind cinematic imagery with a global shutter sensor in an unmatched form factor. It combines RED’s cinema grade image quality, color science and sensor technology into a portable form factor so users can take it anywhere and adapt it to any shooting scenario.\u003c\/p\u003e\u003cp\u003eFeaturing REDCODE® RAW, KOMODO 6K can capture high resolution footage to readily available CFast 2.0 cards at speeds up to 250MB\/s. Featuring a built-in 2.9” LCD and a highly adaptable integrated Canon RF mount, KOMODO brings the RED image quality to a shooting format and size that has never before been seen.\u003c\/p\u003e\u003cp\u003eGet all of the production-level accessories needed for professional and studio work, including Expander Module and Outrigger Handle. The KOMODO Production Pack comes with the Wing Grip and RF to EF Adapter with ND Filter, media and media reader, and Ptap-to-Power Cable.\u003c\/p\u003e\u003ch4\u003eSpecifications\u003c\/h4\u003e\u003ctable class=\"table table-bordered\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eSENSOR TYPE\u003c\/th\u003e\n\u003ctd\u003eKOMODO™ 19.9 MP Super 35mm Global Shutter CMOS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eEFFECTIVE PIXELS\u003c\/th\u003e\n\u003ctd\u003e6144 x 3240\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSENSOR SIZE\u003c\/th\u003e\n\u003ctd\u003e27.03 mm x 14.26 mm (Diagonal: 30.56mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDYNAMIC RANGE\u003c\/th\u003e\n\u003ctd\u003e16+ Stops\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMOUNT TYPE\u003c\/th\u003e\n\u003ctd\u003eRF mount\u003cbr\u003eAccepts Canon RF Mount Based Lenses and Adapters\u003cbr\u003eSupports Canon EF with full electronic communication via compatible Canon RF Mount Adapters\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMAX DATA RATES\u003c\/th\u003e\n\u003ctd\u003eUp to 280 MB\/s using RED Pro CFast or other qualified CFast 2.0 media cards [1]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eREDCODE® RAW MAX FRAME RATES\u003c\/th\u003e\n\u003ctd\u003e40 fps at 6K 17:9 (6144 x 3240)\u003cbr\u003e50 fps at 6K 2.4:1 (6144 x 2592)\u003cbr\u003e48 fps at 5K 17:9 (5120 x 2700)\u003cbr\u003e60 fps at 4K 17:9 (4096 x 2160)\u003cbr\u003e120 fps at 2K 17:9 (2048 x 1080)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4\u003e\n\nIncluded\u003c\/h4\u003e\u003cul\u003e\n\u003cli\u003e1x KOMODO® 6K Camera System\u003c\/li\u003e\n\u003cli\u003e1x Canon RF to EF Adapter w\/ Variable ND Filter\u003c\/li\u003e\n\u003cli\u003e1x Canon Drop-In Clear Filter\u003c\/li\u003e\n\u003cli\u003e1x KOMODO® Outrigger Handle​\u003c\/li\u003e\n\u003cli\u003e1x KOMODO® Wing Grip\u003c\/li\u003e\n\u003cli\u003e1x KOMODO® Expander Module\u003c\/li\u003e\n\u003cli\u003e1x RED® PRO CFast 512GB\u003c\/li\u003e\n\u003cli\u003e1x RED® CFast 2.0 Card Reader\u003c\/li\u003e\n\u003cli\u003e1x RED® PTap-to-Power Cable 6'\u003c\/li\u003e\n\u003cli\u003e2x REDVOLT® BP\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RED Digital Cinema, Inc.","offers":[{"title":"Default Title","offer_id":40521749594170,"sku":"710-0361-02","price":7869.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/b984fc53d26d3bf0c5663ee092ded14a.png?v=1718842120"},{"product_id":"red-komodo-6k-starter-pack","title":"RED KOMODO 6K Starter Pack","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\u003cp\u003eKOMODO® 6K has become a staple in the motion picture industry, providing first of its kind cinematic imagery with a global shutter sensor in an unmatched form factor. It combines RED’s cinema grade image quality, color science and sensor technology into a portable form factor so users can take it anywhere and adapt it to any shooting scenario.\u003c\/p\u003e\u003cp\u003eFeaturing REDCODE® RAW, KOMODO 6K can capture high resolution footage to readily available CFast 2.0 cards at speeds up to 250MB\/s. Featuring a built-in 2.9” LCD and a highly adaptable integrated Canon RF mount, KOMODO brings the RED image quality to a shooting format and size that has never before been seen.\u003c\/p\u003e\u003cp\u003eThis pre-bundled setup is perfect for content creators and run-and-gun operators.\u003c\/p\u003e\u003ch4\u003eSpecifications\u003c\/h4\u003e\u003ctable class=\"table table-bordered\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eSENSOR TYPE\u003c\/th\u003e\n\u003ctd\u003eKOMODO™ 19.9 MP Super 35mm Global Shutter CMOS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eEFFECTIVE PIXELS\u003c\/th\u003e\n\u003ctd\u003e6144 x 3240\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSENSOR SIZE\u003c\/th\u003e\n\u003ctd\u003e27.03 mm x 14.26 mm (Diagonal: 30.56mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDYNAMIC RANGE\u003c\/th\u003e\n\u003ctd\u003e16+ Stops\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMOUNT TYPE\u003c\/th\u003e\n\u003ctd\u003eRF mount\u003cbr\u003eAccepts Canon RF Mount Based Lenses and Adapters\u003cbr\u003eSupports Canon EF with full electronic communication via compatible Canon RF Mount Adapters\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMAX DATA RATES\u003c\/th\u003e\n\u003ctd\u003eUp to 280 MB\/s using RED Pro CFast or other qualified CFast 2.0 media cards [1]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eREDCODE® RAW MAX FRAME RATES\u003c\/th\u003e\n\u003ctd\u003e40 fps at 6K 17:9 (6144 x 3240)\u003cbr\u003e50 fps at 6K 2.4:1 (6144 x 2592)\u003cbr\u003e48 fps at 5K 17:9 (5120 x 2700)\u003cbr\u003e60 fps at 4K 17:9 (4096 x 2160)\u003cbr\u003e120 fps at 2K 17:9 (2048 x 1080)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch4\u003e\n\nIncluded\u003c\/h4\u003e\u003cul\u003e\n\u003cli\u003e1x KOMODO® 6K Camera System\u003c\/li\u003e\n\u003cli\u003e1x Canon® Drop-In Filter Mount Adapter EF-EOS R with Variable ND Filter\u003c\/li\u003e\n\u003cli\u003e2x KOMODO® Wing Grip\u003c\/li\u003e\n\u003cli\u003e1x RED® PRO CFast 512GB\u003c\/li\u003e\n\u003cli\u003e1x RED® CFast 2.0 Card Reader\u003c\/li\u003e\n\u003cli\u003e1x RED® EXT-to-Timecode Cable 3'\u003c\/li\u003e\n\u003cli\u003e2x REDVOLT® BP\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\n\n\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"RED Digital Cinema, Inc.","offers":[{"title":"Default Title","offer_id":40521750151226,"sku":"710-0359-02","price":6479.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/de077136b97d10ef08a58a0e470bdbea.png?v=1718842248"},{"product_id":"red-komodo-x-6k-digital-cinema-camera","title":"RED KOMODO-X 6K Digital Cinema Camera","description":"\u003ch4\u003eDESCRIPTION\u003c\/h4\u003e\u003cp\u003eKOMODO-X™ is the next evolution in the KOMODO family, multiplying the frame rates, dynamic range, and usability of the original KOMODO to break new grounds.\u003c\/p\u003e\u003ch4\u003eNEXT GENERATION KOMODO® SENSOR\u003c\/h4\u003e\u003cp\u003eKOMODO-X features the same sized 6K S35 Global Shutter sensor as the KOMODO, but with a ground up redesign and key architecture improvements.\u003c\/p\u003e\u003cp\u003eImproved detail and color in shadows, paired with double the frame rates at 6K 80P and 4K 120P makes KOMODO-X an even more powerful tool for creatives.\u003c\/p\u003e\u003ch4\u003eENHANCED BODY AND I\/O\u003c\/h4\u003e\u003cp\u003eWith key improvements for professional workflows, the KOMODO-X now shares many features with the DSMC3™ line while still maintaining the impressively small KOMODO form factor. An integrated micro V-Lock allows for direct attachment of professional micro V-Lock batteries without the need for adapters and is also compatible with the upcoming RED Pro I\/O Module to provide auxiliary power and compatibility with full sized V-Lock and Gold Mount batteries.\u003c\/p\u003e\u003cp\u003eA reinforced RF lens mount with locking mechanism maintains the flexibility of toolless switching between multiple lens mount types, while providing the stability and rigidity professionals need. KOMODO-X is also fully compatible with \/i PL lenses using the RED® RF to PL Adapter.\u003c\/p\u003e\u003cp\u003e12G SDI, full sized DC-IN, USB Type-C, and a phantom powered locking audio connector further enables KOMODO-X to seamlessly integrate into any professional workflow.\u003c\/p\u003e\u003cp\u003eAn integrated 2.9” LCD allows for simplified control and image preview in compact setups.\u003c\/p\u003e\u003ch4\u003eIP CONNECTED\u003c\/h4\u003e\u003cp\u003eKOMODO-X is a powerful platform for any IP based workflow, from virtual production to live broadcast. With integrated USB Type-C connection and built-in Wi-Fi, remotely control the camera using RED Control or RED Control Pro, as well as IP media offloading using FTPS or in-camera Cloud Uploading functionality (Frame.io and S3). In addition, KOMODO-X supports frame-accurate PTP synchronization or tri-level genlock sensor sync with the ability to offset on the fly to support multi-camera LED volume productions.\u003c\/p\u003e\u003ch4\u003eTECH SPECS\u003c\/h4\u003e\u003ctable class=\"table table-bordered\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eSENSOR TYPE\u003c\/th\u003e\n\u003ctd\u003eKOMODO-X 19.9MP Super 35mm Global Shutter CMOS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eEFFECTIVE PIXELS\u003c\/th\u003e\n\u003ctd\u003e6144 x 3240\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSENSOR SIZE\u003c\/th\u003e\n\u003ctd\u003e27.03 mm x 14.26 mm (Diagonal: 30.56mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDYNAMIC RANGE\u003c\/th\u003e\n\u003ctd\u003e16.5+ stops\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMOUNT TYPE\u003c\/th\u003e\n\u003ctd\u003eIntegrated locking RF mount with electronic communication\u003cbr\u003eSupports \/i PL lenses with RED® RF to PL Adapters\u003cbr\u003eSupports Canon EF Adapter with communication and other adapters based on the RF mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMAX DATA RATES\u003c\/th\u003e\n\u003ctd\u003eUp to 560 MB\/s using RED branded or other qualified CFexpress media cards[1]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eREDCODE® RAW MAX FRAME RATES\u003c\/th\u003e\n\u003ctd\u003e80 fps at 6K 17:9 (6144 x 3240)\u003cbr\u003e96 fps at 5K 17:9 (5120 x 2700))\u003cbr\u003e120 fps at 4K 17:9 (4096 x 2160)\u003cbr\u003e240 fps at 2K 17:9 (2048 x 1080)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003ePLAYBACK FRAME RATES (PROJECT TIME BASE)\u003c\/th\u003e\n\u003ctd\u003e23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eBEST AVAILABLE REDCODE® SETTINGS\u003c\/th\u003e\n\u003ctd\u003eREDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 (6144 x 3240) up to 80 fps\u003cbr\u003eREDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 (4096 x 2160) up to 120 fps\u003cbr\u003eREDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 (2048 x 1080) up to 240 fps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eREDCODE® RAW\u003cbr\u003eACQUISITION FORMATS\u003c\/th\u003e\n\u003ctd\u003e6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9. 1:1, and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x\u003cbr\u003e5K 17:9 (5120 x 2700) and 16:9\u003cbr\u003e4K 17:9 (4096 x 2160) and 16:9\u003cbr\u003e2K 17:9 (2048 x 1080)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eAPPLE PRORES\u003c\/th\u003e\n\u003ctd\u003eDedicated recording in 4K (4096 x 2160) ProRes 4444 XQ up to 60 fps, ProRes 4444 up to 80 fps, and ProRes 422 HQ, ProRes 422, and ProRes 422 LT up to 120 fps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eCONSTRUCTION\u003c\/th\u003e\n\u003ctd\u003eAluminum Alloy\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDIMENSIONS\u003c\/th\u003e\n\u003ctd\u003e129.37 x 101.26 x 95.26 mm \/ 5.1 x 4 x 3.8 in (LxWxH, largest fixed dims.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eWEIGHT\u003c\/th\u003e\n\u003ctd\u003e2.62lbs (without body cap and CFexpress card)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eMEDIA TYPE\u003c\/th\u003e\n\u003ctd\u003eCFexpress Type B\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4\u003e\n\nIncluded\u003c\/h4\u003e\u003cul\u003e\n\u003cli\u003eKOMODO-X Camera Body\u003c\/li\u003e\n\u003cli\u003eDSMC AC Power Adaptor Pack (150W)\u003c\/li\u003e\n\u003cli\u003eRED Logo Sticker​\u003c\/li\u003e\n\u003cli\u003eKOMODO-X Information Card (incl. registration info)​\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"RED Digital Cinema, Inc.","offers":[{"title":"Default Title","offer_id":40521752444986,"sku":"710-0356-00","price":9799.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/6405a111fe3e2aaa9269778dca0d273d.png?v=1718843002"},{"product_id":"red-komodo-x-production-pack-gold-mount","title":"RED KOMODO-X Production Pack (Gold Mount)","description":"\u003ch4\u003eOVERVIEW\u003c\/h4\u003e\u003cp\u003eKOMODO-X™ is the next evolution in the KOMODO family, multiplying the frame rates, dynamic range, and usability of the original KOMODO to break new grounds.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4\u003eNEXT GENERATION KOMODO® SENSOR\u003c\/h4\u003e\u003cp\u003eKOMODO-X features the same sized 6K S35 Global Shutter sensor as the KOMODO, but with a ground up redesign and key architecture improvements.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eImproved detail and color in shadows, paired with double the frame rates at 6K 80P and 4K 120P makes KOMODO-X an even more powerful tool for creatives.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4\u003eENHANCED BODY AND I\/O\u003c\/h4\u003e\u003cp\u003eWith key improvements for professional workflows, the KOMODO-X now shares many features with the DSMC3™ line while still maintaining the impressively small KOMODO form factor. An integrated micro V-Lock allows for direct attachment of professional micro V-Lock batteries without the need for adapters and is also compatible with the upcoming RED Pro I\/O Module to provide auxiliary power and compatibility with full sized V-Lock and Gold Mount batteries.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eA reinforced RF lens mount with locking mechanism maintains the flexibility of toolless switching between multiple lens mount types, while providing the stability and rigidity professionals need.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e12G SDI, full sized DC-IN, USB Type-C, and a phantom powered locking audio connector further enables KOMODO-X to seamlessly integrate into any professional workflow. KOMODO-X is compatible with DSMC3™ RED® 5-Pin to Single 3.5mm Adapter to support existing KOMODO microphones, or the DSMC3™ RED® 5-Pin to Dual XLR Adapter for general purpose XLR microphones.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAn integrated 2.9” LCD allows for simplified control and image preview in compact setups.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4\u003eIP CONNECTED\u003c\/h4\u003e\u003cp\u003eKOMODO-X is a powerful platform for any IP based workflow, from virtual production to live broadcast. With integrated USB Type-C connection and built-in Wi-Fi, remotely control the camera using RED Control or RED Control Pro, as well as IP media offloading using FTPS or in-camera Cloud Uploading functionality (Frame.io and S3). 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An integrated micro V-Lock allows for direct attachment of professional micro V-Lock batteries without the need for adapters and is also compatible with the upcoming RED Pro I\/O Module to provide auxiliary power and compatibility with full sized V-Lock and Gold Mount batteries.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eA reinforced RF lens mount with locking mechanism maintains the flexibility of toolless switching between multiple lens mount types, while providing the stability and rigidity professionals need.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e12G SDI, full sized DC-IN, USB Type-C, and a phantom powered locking audio connector further enables KOMODO-X to seamlessly integrate into any professional workflow. KOMODO-X is compatible with DSMC3™ RED® 5-Pin to Single 3.5mm Adapter to support existing KOMODO microphones, or the DSMC3™ RED® 5-Pin to Dual XLR Adapter for general purpose XLR microphones.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAn integrated 2.9” LCD allows for simplified control and image preview in compact setups.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4\u003eIP CONNECTED\u003c\/h4\u003e\u003cp\u003eKOMODO-X is a powerful platform for any IP based workflow, from virtual production to live broadcast. With integrated USB Type-C connection and built-in Wi-Fi, remotely control the camera using RED Control or RED Control Pro, as well as IP media offloading using FTPS or in-camera Cloud Uploading functionality (Frame.io and S3). 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An integrated micro V-Lock allows for direct attachment of professional micro V-Lock batteries without the need for adapters and is also compatible with the upcoming RED Pro I\/O Module to provide auxiliary power and compatibility with full sized V-Lock and Gold Mount batteries.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eA reinforced RF lens mount with locking mechanism maintains the flexibility of toolless switching between multiple lens mount types, while providing the stability and rigidity professionals need. KOMODO-X is also fully compatible with \/i PL lenses.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e12G SDI, full sized DC-IN, USB Type-C, and a phantom powered locking audio connector further enables KOMODO-X to seamlessly integrate into any professional workflow. 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As the brand’s new flagship system and sensor, as well as the first entrant into the new DSMC3™ generation of cameras, V-RAPTOR stands alone at the forefront of digital image capture technology.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eFeaturing a groundbreaking multi-format 8K sensor- with the ability to shoot 8K Large Format or 6K S35, it unlocks the largest lens selection of any comparable camera on the market and allows shooters the ability to always deliver at over 4K. The sensor also boasts the highest recorded dynamic range of any RED camera and the fastest ever cinema quality scan time. With a dynamic range of over 17 stops and featuring scan times 2x faster than any previous RED camera, allowing users to capture up to 600 fps at 2K. V-RAPTOR will also continue to feature RED’s proprietary REDCODE RAW codec, allowing users to capture 16-bit RAW, and leverage RED’s latest IPP2 workflow and color management.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eAlong with a new flagship sensor, the V-RAPTOR features a modernized platform in an amazingly compact package weighing in at barely over 4 lbs. With two 4K 12G-SDI outputs, XLR audio and phantom power via adapter, and 1080p livestream, this system can handle most anything a shooter can throw at it.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eAdditionally, the V-RAPTOR\/V-RAPTOR™ XL and the DSMC3 platform features advanced connectivity solutions which enable applications such as RED Connect for 8K R3D cinematic live streaming and remote record, remote control and monitoring, in-camera Frame.io integration, AWS direct upload, and more.\u003c\/p\u003e\u003cp\u003e\n\n\u003cbr\u003e\u003c\/p\u003e","brand":"Broadfield Distributing Inc.","offers":[{"title":"Default Title","offer_id":40531151421498,"sku":"710-0342","price":1.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/6f234e51bb52f342a88f8f4cb542277c.jpg?v=1721418516"},{"product_id":"red-v-raptor®-x-8k-vv","title":"RED V-RAPTOR [X] 8K VV (RF Mount)","description":"\u003ch4\u003eOVERVIEW\u003c\/h4\u003e\n\u003cp\u003eBEST OF BOTH WORLDS\u003c\/p\u003e\n\u003cp\u003eV-RAPTOR® [X] 8K VV combines the strengths of RED’s two families of cameras into one powerful all-purpose workhorse. The frame rates, lowlight performance, and resolution of the V-RAPTOR® line combined with the global shutter advancements of KOMODO®, the V-RAPTOR [X] 8K VV sensor is the culmination of the latest advancements in digital cinema image making. Using RED’s newest 8K VV sensor, V-RAPTOR [X] leverages the benefits and flexibility of large format, global shutter, high framerate, 8K acquisition, all inside of a compact and feature rich body weighing just over 4lbs.\u003c\/p\u003e\n\u003cp\u003eTHE NEW STANDARD\u003c\/p\u003e\n\u003cp\u003eV-RAPTOR [X] is the first large format global shutter camera available. It is built off the same keystone features found in the original V-RAPTOR, such as 2x 12G SDI’s capable of unique monitoring views, a locking Canon RF style lens mount for rigid and flexible lens selection, and CFexpress Type B media for up to 800MB\/s formats such as 8K 120P. In addition, improved in-camera audio pre-amps as well as a redesigned sensor cavity designed to mitigate stray light and improve contrast performance only further builds upon the V-RAPTOR legacy.\u003c\/p\u003e\n\u003cp\u003eGLOBAL VISION\u003c\/p\u003e\n\u003cp\u003eV-RAPTOR [X] 8K VV is pushed to new limits with the introduction of RED Global Vision, a new suite of tools that use the global shutter sensor to provide even more flexibility and ease of use throughout the production process. Global Vision’s Extended Highlights allows the camera to see even further into highlight detail, providing more detail for HDR finishes, or softer and more subtle highlight roll-off for SDR. RED Global Vision also includes Phantom Track to streamline any Virtual Production environment employing GhostFrame™ or Frame Remapping, capturing distinct R3D clips per each sub-frame slice, as well as allowing for monitoring of either slice live on-set over each SDI.\u003c\/p\u003e\n\u003cp\u003eIP CONNECTED\u003c\/p\u003e\n\u003cp\u003eAdditionally, the V-RAPTOR [X] and the DSMC3 platform features advanced connectivity solutions which enable applications such as remote control and monitoring, in-camera Frame.io integration, AWS direct upload, RED Connect for live 8K R3D video over IP or live 4K over SMPTE ST 2110, and more.\u003c\/p\u003e","brand":"Broadfield Distributing Inc.","offers":[{"title":"Default Title","offer_id":40531269845050,"sku":"710-0390-03","price":41995.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/21cd54ec33ad31d89490f1b5987303c2.png?v=1721418720"},{"product_id":"red-v-raptor®-x-8k-vv-starter-pack","title":"RED V-RAPTOR [X] 8K VV Starter Pack","description":"\u003ch4\u003eOVERVIEW\u003c\/h4\u003e\u003cp\u003eBEST OF BOTH WORLDS\u003c\/p\u003e\u003cp\u003eV-RAPTOR® [X] 8K VV combines the strengths of RED’s two families of cameras into one powerful all-purpose workhorse. The frame rates, lowlight performance, and resolution of the V-RAPTOR® line combined with the global shutter advancements of KOMODO®, the V-RAPTOR [X] 8K VV sensor is the culmination of the latest advancements in digital cinema image making. Using RED’s newest 8K VV sensor, V-RAPTOR [X] leverages the benefits and flexibility of large format, global shutter, high framerate, 8K acquisition, all inside of a compact and feature rich body weighing just over 4lbs.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eTHE NEW STANDARD\u003c\/p\u003e\u003cp\u003eV-RAPTOR [X] is the first large format global shutter camera available. It is built off the same keystone features found in the original V-RAPTOR, such as 2x 12G SDI’s capable of unique monitoring views, a locking Canon RF style lens mount for rigid and flexible lens selection, and CFexpress Type B media for up to 800MB\/s formats such as 8K 120P. In addition, improved in-camera audio pre-amps as well as a redesigned sensor cavity designed to mitigate stray light and improve contrast performance only further builds upon the V-RAPTOR legacy.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eGLOBAL VISION\u003c\/p\u003e\u003cp\u003eV-RAPTOR [X] 8K VV is pushed to new limits with the introduction of RED Global Vision, a new suite of tools that use the global shutter sensor to provide even more flexibility and ease of use throughout the production process. Global Vision’s Extended Highlights allows the camera to see even further into highlight detail, providing more detail for HDR finishes, or softer and more subtle highlight roll-off for SDR. RED Global Vision also includes Phantom Track to streamline any Virtual Production environment employing GhostFrame™ or Frame Remapping, capturing distinct R3D clips per each sub-frame slice, as well as allowing for monitoring of either slice live on-set over each SDI.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eIP CONNECTED\u003c\/p\u003e\u003cp\u003eAdditionally, the V-RAPTOR [X] and the DSMC3 platform features advanced connectivity solutions which enable applications such as remote control and monitoring, in-camera Frame.io integration, AWS direct upload, RED Connect for live 8K R3D video over IP or live 4K over SMPTE ST 2110, and more.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe V-RAPTOR [X] Starter Pack is a pre-bundled setup that is perfect for owner-operators, run-and-gun style shooters, or anyone looking to take advantage of V-RAPTOR’s nimble and versatile form-factor. 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The use of copper wiring contributes to higher transmission speeds and faster AD (analogue to digital) conversion, while fast sensor readout enables 10-bit 4:2:2 4K recording up to 60p. The sensor also provides improved color reproducibility, low-noise performance at all sensitivities, 15+stop dynamic range and increased AF (autofocus) speed and precision performance. Experience improved levels of color gradation and detail rendering as well as soft, natural-looking human skin textures.\u003cbr\u003e\u003c\/p\u003e\u003ch4\u003e\n\n\nBIONZ XR™ image processor for up to 8x  processing speed\u003c\/h4\u003e\u003cp\u003e\nThe BIONZ XR engine, also used in the Sony Alpha 1 and Alpha 7S III models, provides up to an 8x  increase in processing speed. The engine concentrates real-time processing of AF (autofocus), image recognition and image quality adjustment to minimize processing latency for greatly increased movie and still processing power. User interface, network and file management processing is distributed to deliver fast response regardless of real-time processing load.\n\n \u003c\/p\u003e\u003ch4\u003e\nBeautiful images with reduced noise \u003c\/h4\u003e\u003cp\u003e\nBuilding on the capabilities of the back-illuminated Exmor R™ image sensor, the powerful BIONZ XR™ processing engine reveals even higher subjective resolution combined with exquisite detail and texture even in medium and high sensitivity ranges. Impressively low levels of noise are achieved throughout the standard range of ISO 100-51200 (expandable to ISO 50-204800 for stills and ISO 100-102400 for movies). \u003c\/p\u003e\u003ch4\u003e\nWide, 15-stop dynamic range \u003c\/h4\u003e\u003cp\u003e\nTaking advantage of the camera's full dynamic range of 15 stops, the Alpha7 IV uses image data from the sensor's 33-megapixels to render remarkably delicate detail in landscapes and scenery. This stunning image quality is based on Sony's unrivalled experience at the front lines of both still-image and movie creation.\u003c\/p\u003e\u003ch4\u003e\n4K 60p recording, 4:2:2 10-bit recording\n\n \u003c\/h4\u003e\u003cp\u003e\nThe Alpha 7 IV gives you an impressive range of video recording options. Full pixel readout without binning allows 4K 60p11 recording in Super 35 mode providing high-resolution smooth footage that can be edited to 2x and 2.5x slow-motion when rendered to 30p or 24p in post-production, and 4K 24p or 30p full pixel readout without binning in full-frame with 7K11 oversampling. For highly detailed and rich 4K content.\n\n\u003cbr\u003e\u003c\/p\u003e","brand":"TD SYNNEX Canada ULC","offers":[{"title":"Default Title","offer_id":40540103934010,"sku":"ILCE7M4\/B","price":3199.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/59ab42de52646c20d7f0eca6602fdc90.jpg?v=1720028356"},{"product_id":"sony-a7r-iv-full-frame-mirrorless-camera","title":"Sony A7R IV Full Frame Mirrorless Camera","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\u003cp\u003e\nThe full-frame 33MP Exmor R™ back-illuminated CMOS sensor delivers outstanding speed and superb image quality. The use of copper wiring contributes to higher transmission speeds and faster AD (analogue to digital) conversion, while fast sensor readout enables 10-bit 4:2:2 4K recording up to 60p. The sensor also provides improved color reproducibility, low-noise performance at all sensitivities, 15+stop dynamic range and increased AF (autofocus) speed and precision performance. Experience improved levels of color gradation and detail rendering as well as soft, natural-looking human skin textures.\n\n\u003cbr\u003e\u003c\/p\u003e\u003ch4\u003eBIONZ XR™ image processor for up to 8x  processing speed\u003c\/h4\u003e\u003cp\u003e\nThe BIONZ XR engine, also used in the Sony Alpha 1 and Alpha 7S III models, provides up to an 8x  increase in processing speed. The engine concentrates real-time processing of AF (autofocus), image recognition and image quality adjustment to minimize processing latency for greatly increased movie and still processing power. User interface, network and file management processing is distributed to deliver fast response regardless of real-time processing load.\n\n\u003cbr\u003e\u003c\/p\u003e\u003ch4\u003eBeautiful images with reduced noise\u003c\/h4\u003e\u003cp\u003e\nBuilding on the capabilities of the back-illuminated Exmor R™ image sensor, the powerful BIONZ XR™ processing engine reveals even higher subjective resolution combined with exquisite detail and texture even in medium and high sensitivity ranges. Impressively low levels of noise are achieved throughout the standard range of ISO 100-51200 (expandable to ISO 50-204800 for stills and ISO 100-102400 for movies).\n\n\u003cbr\u003e\u003c\/p\u003e\u003ch4\u003eWide, 15-stop dynamic range\u003c\/h4\u003e\u003cp\u003e\nTaking advantage of the camera's full dynamic range of 15 stops, the Alpha7 IV uses image data from the sensor's 33-megapixels to render remarkably delicate detail in landscapes and scenery. This stunning image quality is based on Sony's unrivalled experience at the front lines of both still-image and movie creation.\n\n\u003cbr\u003e\u003c\/p\u003e\u003ch4\u003e4K 60p recording, 4:2:2 10-bit recording\u003c\/h4\u003e\u003cp\u003eThe Alpha 7 IV gives you an impressive range of video recording options. Full pixel readout without binning allows 4K 60p11 recording in Super 35 mode providing high-resolution smooth footage that can be edited to 2x and 2.5x slow-motion when rendered to 30p or 24p in post-production, and 4K 24p or 30p full pixel readout without binning in full-frame with 7K11 oversampling. For highly detailed and rich 4K content.\u003cbr\u003e\u003c\/p\u003e","brand":"TD SYNNEX Canada ULC","offers":[{"title":"Default Title","offer_id":40540107112506,"sku":"ILCE7RM4\/B","price":4499.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/79e36a171d5c7b783b5d111f97bb2558.jpg?v=1733444328"},{"product_id":"sony-a7s-iii-full-frame-mirrorless-camera-body-only","title":"Sony A7S III Full-frame Mirrorless Camera (Body Only)","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\u003cp\u003e\nThe newly developed back-illuminated full-frame Exmor RTM CMOS sensor with 12.1 effective megapixels boasts a readout speed up to twice as fast as that of the α7S II along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy while focal plane phase-detection AF enables substantial increases in auto focus stability and precision all of which contribute to outstanding image quality.\n\n\u003cbr\u003e\u003c\/p\u003e\u003ch4\u003eNew image-processing engine with up to 8x the processing performance\u003c\/h4\u003e\u003cp\u003eThe BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor minimizing latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF image recognition and image-quality adjustments while also handling data transfer user interface and other camera operations.\u003c\/p\u003e\u003ch4\u003eHigh sensitivity wide dynamic range\u003c\/h4\u003e\u003cp\u003eThe full-frame 12.1-megapixel configuration enables high sensitivity with low noise throughout the camera’s sensitivity range by optimizing the output signal from the sensor. The standard ISO range is 80–102400 which is further expandable to 40–409600 (80–409600 for movies). The dynamic range is an impressively wide 15 stops for beautiful true-to-life images without blown highlights. Together the camera’s high sensitivity and wide dynamic range expand your creative freedom during shoots.\u003c\/p\u003e\u003ch4\u003eFull-frame 4K recording at 120p\u003c\/h4\u003e\u003cp\u003eFull-frame 4K recording at 120 fps with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed powerful BIONZ XR processor. This high image-quality 4K with full-pixel readout without binning allows for clear post-produced slow motion (up to 5x slower than real time) as well as bokeh effects typical of full-frame cameras all with smooth high-precision autofocus. Despite the α7S III’s compact size it provides impressive scope for your creativity.\u003c\/p\u003e\u003ch4\u003eRecording movies with 10-bit depth and 4:2:2 colour sampling\u003c\/h4\u003e\u003cp\u003eThe camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further stretching video out for ultimate HDR realism while still retaining natural gradation for true editing freedom.\u003c\/p\u003e\u003ch4\u003eAll-Intra internal recording\u003c\/h4\u003e\u003cp\u003eIn addition to Long GOP inter-frame compression the α7S III supports internal intra-frame (All-Intra) recording for the first time in an α-model body where each frame is recorded independently at a high bitrate of up to 600 Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing. All-Intra (All-I) Long GoP Group of Pictures\u003c\/p\u003e\u003ch4\u003eHEVC codec with high compression efficiency\u003c\/h4\u003e\u003cp\u003eAvailable for the first time XAVC HS format recording using the MPEG-H HEVC\/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates delivering even better image quality as well as manageable file sizes.\u003c\/p\u003e\u003ch4\u003e16-bit RAW data output\u003c\/h4\u003e\u003cp\u003eFacilitating improved image quality and more flexible and efficient editing in post-production the camera supports 16-bit RAW data output to an external recorder via HDMI for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor with a choice of frame rates (60p\/50p\/30p\/25p\/24p).\u003c\/p\u003e\u003ch4\u003eS-Log2 and S-Log3 with 10-bit 4:2:2 support\u003c\/h4\u003e\u003cp\u003eS-Log2 and S-Log3 gamma curves are available with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey) enabling a dynamic range of up to 15 stops. Three colour gamut settings (S-Gamut S-Gamut3 and S-Gamut3.Cine) are provided and the latter two settings make it easier to match the colours of footage shot with Sony’s professional cinema cameras. Because the colours match colour grading is easier in post-production editing making it more convenient to use the α7S III along with other pro cameras.\u003c\/p\u003e\u003cp\u003e\n\n\u003cbr\u003e\u003c\/p\u003e","brand":"TD SYNNEX Canada ULC","offers":[{"title":"Default Title","offer_id":40540166979642,"sku":"ILCE7SM3\/B","price":4799.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/ce37f33705ff4e46d08d274b8c4d4900.jpg?v=1720031418"},{"product_id":"sony-alpha-1-mirrorless-digital-camera-body-only","title":"Sony Alpha 1 Mirrorless Digital Camera (Body Only)","description":"\u003ch4\u003eOverview\u003c\/h4\u003e\u003cp\u003eSony continues to challenge the limits of conventional imaging tools with innovative technology that delivers an unprecedented combination of resolution and speed plus intuitive operation. The α1 offers new dimensions of imaging performance as well as efficient workflow, giving the user new creative freedom.\u003c\/p\u003e\u003ch4\u003eHighlights\u003c\/h4\u003e\u003cp\u003e50.1MP2 35 mm full-frame stacked CMOS sensor with integral memory\u003c\/p\u003e\u003cp\u003eAdvanced BIONZ XR engine boosts speed by up to 8x3\u003c\/p\u003e\u003cp\u003e30fps4 continuous shooting with AF\/AE tracking\u003c\/p\u003e\u003cp\u003eMovie making with 8K 30p and 4K 120p5\u003c\/p\u003e\u003cp\u003eWide AF coverage with 759-point phase-detection and 425-point contrast detection AF points\u003c\/p\u003e\u003cp\u003e\n\n\u003cbr\u003e\u003c\/p\u003e","brand":"TD SYNNEX Canada ULC","offers":[{"title":"Default Title","offer_id":40540652896314,"sku":"ILCE1\/B","price":8499.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/d4e5532fcc21c9197353a7afd8a6b560.jpg?v=1733444696"},{"product_id":"sony-burano-8k-digital-motion-picture-camera","title":"Sony BURANO 8K Digital Motion Picture Camera","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\u003cp\u003eBURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just Sony's smallest full-frame CineAlta camera, in many ways it’s their most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew.\u003c\/p\u003e\u003ch4\u003eSmarter Shooting\u003c\/h4\u003e\u003cp\u003eBURANO makes shooting highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilisation system*. A ground-breaking combination of Sony's unique electronic variable ND filter system with in-body image stabilisation (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel.\u003c\/p\u003e\u003ch4\u003eShoot The Way You Want\u003c\/h4\u003e\u003cp\u003eBURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with flexible mounting system and a versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice.\u003c\/p\u003e\u003ch4\u003eFull-Frame 8.6K Sensor\u003c\/h4\u003e\u003cp\u003eBURANO has a large 36x24mm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich colour gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content.\u003c\/p\u003e\u003ch4\u003eMultiple Image Scan Modes\u003c\/h4\u003e\u003cp\u003eBURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 35mm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimised down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering for a wide range of production requirements.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e* Only 17:9 in Super 35 Cropped (S35c) mode\u003c\/em\u003e\u003c\/p\u003e\u003ch4\u003e\n6 Stop Latitude\u003c\/h4\u003e\u003cp\u003eWith a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera’s wide dynamic range captures everything from highlights to shadows expertly with superb colour rendition, giving operators maximum flexibility in colour grading.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e* S-Log3 shooting. Sony measurements.\u003c\/em\u003e\u003c\/p\u003e\u003ch4\u003e\n\n\nDual Base ISO\u003c\/h4\u003e\u003cp\u003eCinematographers worldwide love VENICE 2’s ability to switch the sensor’s sensitivity to capture clean images even in low light conditions. BURANO supports the same Dual Base ISO 800 and 3200 as VENICE 2. This means clear images with low noise whether shooting in a brightly lit environments (ISO 800) or in challenging dimly lit scenarios (ISO 3200). With BURANO, it’s possibly to shoot amazing imagery with nothing more than candlelight.\u003c\/p\u003e\u003ch4\u003eInternal 16-bit X-OCN LT and XAVC H recording\u003c\/h4\u003e\u003cp\u003eDespite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as Sony's new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project.\u003c\/p\u003e\u003cp\u003eBURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even great data savings and faster post-production workflow.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e* Not compatible with X-OCN XT and X-OCN ST recording formats\u003c\/em\u003e\u003c\/p\u003e\u003ch4\u003e\n\n\nNew in-camera Looks for Ready-to-Use Footage\u003c\/h4\u003e\u003cp\u003eBURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient colour workflow.\u003c\/p\u003e\u003cp\u003es709: Kodak 2383-like natural tones and colours\u003c\/p\u003e\u003cp\u003es709(800): Standard 709 tone curve for accurate colour reproduction*\u003c\/p\u003e\u003cp\u003e\n\n\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\n\n\u003cbr\u003e\u003c\/p\u003e","brand":"Sony Electronics Inc., Sony Electronics Inc. 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The image sensor maximizes light collection efficiency so that clear, usable images can be captured in dim light. Standard ISO sensitivity is 100 to 32000, and latitude is an impressively wide 14+ stops.\u003c\/p\u003e\u003ch4\u003eS-Cinetone™ for a cinematic look straight out of the camera without grading\u003c\/h4\u003e\u003cp\u003eThe FX30 includes S-Cinetone™, the same color science that produces the highly regarded FX9 and FX6 color and skin tones. Based on technology acquired through development of digital cinema cameras such as Sony’s VENICE 2, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights. Because S-Cinetone produces all this directly within the camera, it's easy to achieve a beautiful cinematic look without the necessity of post-production grading.\u003c\/p\u003e\u003ch4\u003eFlexible ISO, Cine EI Quick and Cine EI Log shooting modes for optimized image quality\u003c\/h4\u003e\u003cp\u003eThree modes are provided for recording with the S-Log3 gamma curve (“Log Shooting Setting” in the menu) when post processing will be used to grade and finish the footage. Cine EI, inherited from Sony’s high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick automatically switches the camera’s base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings.\u003c\/p\u003e\u003ch4\u003eUser LUTs can be applied to the LCD display and HDMI output and embedded in clips\u003c\/h4\u003e\u003cp\u003eWhen recording with the S-Log3 gamma curve, the low-contrast image displayed on the monitor can make it difficult to judge how the final image will look. The FX30 allows custom LUTs to be applied to the LCD monitor and HDMI output, providing a more accurate preview of the final image.  LUTs can also be embedded in clips to facilitate post-production processing. The FX30 even includes a new s709 preset LUT that can provide a more cinematic look while monitoring. In addition to the preset LUTs, up to 16 user LUTs (.cube format) can be imported into the camera via memory card.\u003c\/p\u003e","brand":"TD SYNNEX Canada ULC","offers":[{"title":"Default Title","offer_id":40540984541242,"sku":"ILME-FX30B","price":2399.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/135af4e46b5a1def641941c9fc3018a1.png?v=1720051928"},{"product_id":"sony-cinema-line-fx30-super-35-camera-with-xlr-handle-unit","title":"Sony Cinema Line FX30 Super 35 Camera with XLR Handle Unit","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\u003cp\u003eSony’s acclaimed image sensor technology in a new back-illuminated 20.1 megapixels APS-C Exmor R™ CMOS sensor (Super 35 format) achieves high sensitivity, low noise, and wide dynamic latitude. 6K oversampling compresses a vast amount of information into 4K (QFHD: 3840 x 2160) output, delivering 4K movies with overwhelming resolution. Capture the scene in cinematic 4K resolution with the expressive depth of field, stunning bokeh, and cinematic freedom of an APS-C size sensor. The image sensor maximizes light collection efficiency so that clear, usable images can be captured in dim light. Standard ISO sensitivity is 100 to 32000, and latitude is an impressively wide 14+ stops.\u003c\/p\u003e\u003ch4\u003eS-Cinetone™ for a cinematic look straight out of the camera without grading\u003c\/h4\u003e\u003cp\u003eThe FX30 includes S-Cinetone™, the same color science that produces the highly regarded FX9 and FX6 color and skin tones. Based on technology acquired through development of digital cinema cameras such as Sony’s VENICE 2, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights. Because S-Cinetone produces all this directly within the camera, it's easy to achieve a beautiful cinematic look without the necessity of post-production grading.\u003c\/p\u003e\u003ch4\u003eFlexible ISO, Cine EI Quick and Cine EI Log shooting modes for optimized image quality\u003c\/h4\u003e\u003cp\u003eThree modes are provided for recording with the S-Log3 gamma curve (“Log Shooting Setting” in the menu) when post processing will be used to grade and finish the footage. Cine EI, inherited from Sony’s high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick automatically switches the camera’s base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings.\u003c\/p\u003e\u003ch4\u003eUser LUTs can be applied to the LCD display and HDMI output and embedded in clips\u003c\/h4\u003e\u003cp\u003eWhen recording with the S-Log3 gamma curve, the low-contrast image displayed on the monitor can make it difficult to judge how the final image will look. The FX30 allows custom LUTs to be applied to the LCD monitor and HDMI output, providing a more accurate preview of the final image.  LUTs can also be embedded in clips to facilitate post-production processing. The FX30 even includes a new s709 preset LUT that can provide a more cinematic look while monitoring. In addition to the preset LUTs, up to 16 user LUTs (.cube format) can be imported into the camera via memory card.\u003c\/p\u003e","brand":"TD SYNNEX Canada ULC","offers":[{"title":"Default Title","offer_id":40540997058618,"sku":"ILME-FX30","price":2899.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/9d13bbe0eeb0733fdd793d52c9f3af73.png?v=1720052409"},{"product_id":"sony-fr7-cinema-line-full-frame-ptz-robotic-camera-with-selp28135g-lens","title":"Sony FR7 Full-Frame PTZ Interchangeable Lens Camera with 28-135mm Lens","description":"\u003ch4\u003eOverview\u003c\/h4\u003e\n\u003cp\u003eThe FR7 provides smooth pan, tilt and zoom (PTZ) control coupled with a full-frame image sensor and a high-quality E-mount lens lineup. Focal length and shallow depth of field provide creative freedom and combine with remote PTZ control capability to open a new world of creative potential. \u003c\/p\u003e\n\u003ch4\u003eRemote control for creative camera placement \u003c\/h4\u003e\n\u003cp\u003eWith its integrated, remotely controllable pan and tilt mechanism, the FR7 can be mounted on the ceiling or in other out-of-the-way locations. Follow your subjects or instantly recall pre-composed shot framings, for unprecedented creative potential. \u003c\/p\u003e\n\u003ch4\u003eInnovative remote control \u003c\/h4\u003e\n\u003cp\u003eWith a newly developed Web App that enables easy access via QR code or URL input, you can set up the FR7 from a tablet or a PC through a web browser. You can also use the optional Remote Control Panel (RCP), Master Setup Unit (MSU) devices and RM-IP500 for precise joystick-controlled pan, tilt and zoom operation. \u003c\/p\u003e\n\u003ch4\u003eAdvanced technology for cinematic expression\u003c\/h4\u003e\n\u003cp\u003eBearing the Cinema Line name, the FR7 incorporates key features that support cinematic expression. The FR7 features a back-illuminated 35-mm full-frame CMOS image sensor for the first time in a pan, tilt and zoom (PTZ) camera. Also the BIONZ XR™ contributes to superb image quality with high sensitivity, smooth gradations and true-to-life colour. \u003c\/p\u003e\n\u003ch4\u003eLimitless creativity with E-mount lenses\u003c\/h4\u003e\n\u003cp\u003eThe FR7 features Sony’s E-mount and can be used with all E-mount lenses. These include the superlative G Master series, known for its stunning resolution and beautiful bokeh. A choice of focal lengths ranging from 12 mm to 1,200 mm gives you comprehensive creative control.\u003c\/p\u003e","brand":"Sony Electronics Inc.","offers":[{"title":"Default Title","offer_id":40541494214714,"sku":"ILMEFR7K","price":15699.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/352a6faab64cb3156e85761074a1f469.png?v=1720121662"},{"product_id":"sony-fx6-cinema-line-full-frame-camera","title":"Sony FX6 Cinema Line Full-frame Camera","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\u003cp\u003eThe back-illuminated full-frame Exmor RTM CMOS sensor, with 10.2 effective megapixels, boasts a blazingly fast data-readout speed along with high sensitivity and wide dynamic range. An advanced color-filter array boosts color-reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.\u003c\/p\u003e\u003ch4\u003eHigh-performance image-processing engine\u003c\/h4\u003e\u003cp\u003eThe BIONZ XRTM image-processing engine boasts class-leading speed performance, minimizing latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.\u003c\/p\u003e\u003ch4\u003eHigh sensitivity, wide dynamic range\u003c\/h4\u003e\u003cp\u003eThe full-frame 10.2-megapixel configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimizing the output signal from the sensor. Capture usable images in near-total darkness with an impressive ISO-expanded range up to 409600. The dynamic range is an impressively wide 15+ stops, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots. \u003c\/p\u003e\u003ch4\u003e4K High Frame Rate 120fps recording\u003c\/h4\u003e\u003cp\u003eFull-frame 4K (QFHD) recording at up to 120fps with autofocus is possible thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, ultra-detailed 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to five times slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow-motion shooting, for impressive creative scope.\u003c\/p\u003e\u003ch4\u003eAcclaimed cinematic color with S-Cinetone™\u003c\/h4\u003e\u003cp\u003eThe inclusion of Sony's acclaimed S-Cinetone look, inherited from the development of the FX9, allows beautiful images to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colors, with gentle highlight roll-off, for impressive subject depiction and powerful camera-matching and post-production possibilities. \u003c\/p\u003e\u003ch4\u003ePreset and User 3D LUT compatibility with Scene File\u003c\/h4\u003e\u003cp\u003eThe Scene File function provides powerful color interpretation right in the camera, with a range of presets and custom User 3D LUT imports to fit your production or style requirements. Four preset scene file types are included for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural). A further 16 slots support User 3D LUT import to achieve custom looks, or for specific monitoring or color-space transforms.\u003c\/p\u003e\u003ch4\u003e10-bit HLG picture profile\u003c\/h4\u003e\u003cp\u003eA HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for color grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. High flexibility to fine-tune images as desired (color grading required) Instant high-quality image (color grading not required) \u003c\/p\u003e\u003ch4\u003eS-Log3 for better reproduction of gradations\u003c\/h4\u003e\u003cp\u003eS-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-gray range (18% gray), enabling a dynamic range of up to 15+ stops. Two color-gamut settings (S-Gamut3 and S-Gamut3.Cine) make it easier to match the colors of footage shot with Sony's Cinema Line Cameras. 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An advanced color-filter array boosts color-reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.\u003c\/p\u003e\n\u003ch4\u003eHigh-performance image-processing engine\u003c\/h4\u003e\n\u003cp\u003eThe BIONZ XRTM image-processing engine boasts class-leading speed performance, minimizing latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.\u003c\/p\u003e\n\u003ch4\u003eHigh sensitivity, wide dynamic range\u003c\/h4\u003e\n\u003cp\u003eThe full-frame 10.2-megapixel configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimizing the output signal from the sensor. Capture usable images in near-total darkness with an impressive ISO-expanded range up to 409600. The dynamic range is an impressively wide 15+ stops, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots. \u003c\/p\u003e\n\u003ch4\u003e4K High Frame Rate 120fps recording\u003c\/h4\u003e\n\u003cp\u003eFull-frame 4K (QFHD) recording at up to 120fps with autofocus is possible thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, ultra-detailed 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to five times slower than real time). The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow-motion shooting, for impressive creative scope.\u003c\/p\u003e\n\u003ch4\u003eAcclaimed cinematic color with S-Cinetone™\u003c\/h4\u003e\n\u003cp\u003eThe inclusion of Sony's acclaimed S-Cinetone look, inherited from the development of the FX9, allows beautiful images to be achieved directly in-camera. S-Cinetone is optimized for natural skin tones and mid-range colors, with gentle highlight roll-off, for impressive subject depiction and powerful camera-matching and post-production possibilities. \u003c\/p\u003e\n\u003ch4\u003ePreset and User 3D LUT compatibility with Scene File\u003c\/h4\u003e\n\u003cp\u003eThe Scene File function provides powerful color interpretation right in the camera, with a range of presets and custom User 3D LUT imports to fit your production or style requirements. Four preset scene file types are included for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural). A further 16 slots support User 3D LUT import to achieve custom looks, or for specific monitoring or color-space transforms.\u003c\/p\u003e\n\u003ch4\u003e10-bit HLG picture profile\u003c\/h4\u003e\n\u003cp\u003eA HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for color grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. 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In addition to outstanding optical performance, it has a compact, lightweight design for portability and mobility befitting the E-mount system. Fast, precise AF and high reliability add to the broad utility of this fine zoom lens.\u003c\/p\u003e\n\u003ch4\u003eExcellent corner-to-corner imaging throughout the zoom range\u003c\/h4\u003e\n\u003cp\u003eAdvanced optics achieve consistently high corner-to-corner resolution throughout the zoom range. Four aspherical elements effectively reduce aberration, while ED (Extra-low Dispersion) glass elements minimize chromatic aberration. A circular aperture and carefully controlled spherical aberration shape add expressive potential with beautiful, smooth background bokeh and natural highlights that complement outstanding in-focus sharpness and clarity.\u003c\/p\u003e\n\u003ch4\u003eA one-lens solution for mobile, versatile shooting\u003c\/h4\u003e\n\u003cp\u003eExcellent optical performance and a high zoom ratio are packed into a compact, lightweight design weighing only 663 grams (23.4 oz). The design extends to E-mount bodies for outstanding system mobility and handling ease. This one high-performance lens lets you shoot a wide range of subjects and situations. A minimum focus distance of 0.38 metres (1.25 ft) and built-in optical image stabilization further enhance all-around versatility.\u003c\/p\u003e\n\u003ch4\u003eConstant F4 and fast, precise, quiet AF for stills and movies\u003c\/h4\u003e\n\u003cp\u003eA bright, constant F4 maximum aperture throughout the zoom range keeps the brightness even when focal length is changed. Sony's Direct Drive SSM (DDSSM) AF drive system offers fast, precise and quiet focusing. A precision optical design minimizes focus breathing. All of this makes the FE 24-105mm F4 G OSS an excellent choice for both stills and movies.\u003c\/p\u003e\n\u003ch4\u003eProfessional reliability and operability\u003c\/h4\u003e\n\u003cp\u003eA fluorine coating on the front element prevents contaminants such as oils, grime and water from sticking to the front of the lens and makes them easier to remove if they do become attached to the lens surface. A dust and moisture resistant design and customizable focus hold button further contribute to professional operability and reliability.\u003c\/p\u003e","brand":"TD SYNNEX Canada ULC","offers":[{"title":"Default Title","offer_id":40541500768314,"sku":"ILMEFX6VK","price":9699.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/4d8938d5dcaa5e02e662b111b4ce2e89.png?v=1737146939"},{"product_id":"sony-gp-vr100-burano-remote-control-grip","title":"Sony GP-VR100 Burano Remote Control Grip","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\u003cp\u003ePopular with operators around the world, the FS7\/FX9 adjustable arm with Grip Remote Control transformed shooting on the go and now with GP-VR100* Sony's made it even better. The arm’s length is easily adjustable at the turn of a knob, while another knob at the joint adjusts the angle. Once perfectly adjusted for shooting from your shoulder or waist, Sony’s Grip Remote Control puts all the important controls at your fingertips with Zoom, Start\/Stop and a range of Assign controls, including a dial you can use to adjust Iris. So, you can operate the camera without taking your hand off the grip.\u003c\/p\u003e\u003cp\u003eThe unit can control basic camera shooting operations (recording start\/stop, zoom, etc.). You can operate functions assigned on the camera using the ASSIGN (assignable) button, assignable dial, and multi selector.\u003c\/p\u003e\u003ch4\u003eNote\u003c\/h4\u003e\u003cp\u003eThe unit can control a camera equipped with a Sony Grip Remote Control connector such as BURANO and ILME-FX6, however, not all cameras are supported. FX6 requires rosette on the grip attachment point (optional) or shoulder adaptor with rosette (optional).\n\n\u003cbr\u003e\u003c\/p\u003e","brand":"Sony Electronics Inc., Sony Electronics Inc. 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It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise noise-prioritizing amplifier for darker areas.\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Canon Canada Inc.","offers":[{"title":"Default Title","offer_id":40682692509754,"sku":"3795C002","price":11999.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/6c492d7bca8ba267d02fef7ca7725e81.png?v=1728431305"},{"product_id":"canon-eos-c70-cinema-camera","title":"Canon EOS C70 Cinema Camera","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\n\u003cp\u003eDeveloped with an idea of combining the Cinema EOS series with the EOS R series, the new EOS C70 offers exceptional image quality and professional video features in a compact and mobile form factor, perfect for documentary, newsgathering, and corporate videos.\u003c\/p\u003e\n\u003cp\u003eThe EOS C70 is the first Cinema EOS camera with a built-in RF-lens mount, which was previously a feature that was only used for the EOS R series of mirrorless cameras. The RF-mount offers users access to Canon’s superb line of RF-lenses, which are quick, reliable and provide brilliant image quality. 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With 1,053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face and Head Detection AF, or intuitively track the whole body, face or eye of cats, dogs, or birds with Animal Detection AF. For those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles. 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These state-of-the-art technologies make it easy to capture even the most challenging subjects in extraordinary resolution, with blackout-free viewing and full AF\/AE tracking at up to 30 fps.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eAn advanced AI processing unit achieves high-level subject recognition\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eThe α1 II features a dedicated AI processing unit that helps to recognize people more accurately based on human pose estimation and supports recognition of a wide range of subjects other than people, such as animals, vehicles and insects, with high accuracy. 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Preserve every detail with full-pixel readout and real-time BIONZ XR™ image processing, while compatibility with 709tone and S-Cinetone™ makes colour-matching to Cinema Line and Sony system cameras easy.\u003c\/p\u003e\u003ch4\u003eIntelligent features for smarter shooting\u003c\/h4\u003e\u003cp\u003eDepend on Sony innovations that help you to capture the best content possible. Sony's advanced AI Processing Unit can recognize human subjects, while the Fast Hybrid AF system tracks your subject and maintains precise focus at all times. An Electronic Variable ND Filter means you can achieve the best exposure for your shots, in a wide range of lighting conditions, or the Auto ND function will automatically set optimal exposure for you.\u003c\/p\u003e\u003ch4\u003eReliable streaming and broadcast TV friendly connectivity\u003c\/h4\u003e\u003cp\u003eBuilt-in 2.4 GHz and 5 GHz Wi-Fi – in concert with Sony's C3 Portal (paid) or XDCAM Pocket apps – powers simple, high-quality streaming direct from the camera. Remote operation via Sony's Monitor \u0026amp; Control app allows you to check angles and monitor shooting from your smartphone or tablet. The Z200 also offers built-in 12G-SDI with four-times the bandwidth of 3G-SDI over a single cable, TC input \/ output and broadcast friendly XAVC (MXF).\u003c\/p\u003e\u003ch4\u003e1.0-type Exmor RS CMOS sensor\u003c\/h4\u003e\u003cp\u003eFor imaging performance otherwise unobtainable for a compact camcorder, the Z200 relies upon large approx. 14.0 megapixel (effective) 1.0-type Exmor RS CMOS image sensor. Its unique stacked structure – with back illuminated pixels layered over integrated signal processing circuits – enables both faster read-out speeds and superior low-light performance due to more light reaching the sensor.\u003c\/p\u003e\u003ch4\u003eBIONZ XR image processing\u003c\/h4\u003e\u003cp\u003eIntegrated within the image sensor, the latest generation BIONZ XR image processor enables higher frame-rates, faster autofocus, improved Auto Tracing White Balance (ATW) control and superior noise reduction. It extracts maximum performance from the high-resolution image sensor, effortlessly capturing the most subtle textures and finest detail. 5K oversampling with full-pixel readout condenses ample image information into stunning 4K (3840 x 2160) 60p video.\u003c\/p\u003e\u003ch4\u003eBuilt-in Electronic Variable ND Filter\u003c\/h4\u003e\u003cp\u003eSeamlessly adjust the Electronic Variable ND Filter to suit a variety of light levels. 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Focal length and shallow depth of field provide creative freedom and combine with remote PTZ control capability to open a new world of creative potential. \u003c\/p\u003e\u003ch4\u003eRemote control for creative camera placement \u003c\/h4\u003e\u003cp\u003eWith its integrated, remotely controllable pan and tilt mechanism, the FR7 can be mounted on the ceiling or in other out-of-the-way locations. Follow your subjects or instantly recall pre-composed shot framings, for unprecedented creative potential. \u003c\/p\u003e\u003ch4\u003eInnovative remote control \u003c\/h4\u003e\u003cp\u003eWith a newly developed Web App that enables easy access via QR code or URL input, you can set up the FR7 from a tablet or a PC through a web browser. You can also use the optional Remote Control Panel (RCP), Master Setup Unit (MSU) devices and RM-IP500 for precise joystick-controlled pan, tilt and zoom operation. \u003c\/p\u003e\u003ch4\u003eAdvanced technology for cinematic expression\u003c\/h4\u003e\u003cp\u003eBearing the Cinema Line name, the FR7 incorporates key features that support cinematic expression. The FR7 features a back-illuminated 35-mm full-frame CMOS image sensor for the first time in a pan, tilt and zoom (PTZ) camera. Also the BIONZ XR™ contributes to superb image quality with high sensitivity, smooth gradations and true-to-life colour. \u003c\/p\u003e\u003ch4\u003eLimitless creativity with E-mount lenses\u003c\/h4\u003e\u003cp\u003eThe FR7 features Sony’s E-mount and can be used with all E-mount lenses. These include the superlative G Master series, known for its stunning resolution and beautiful bokeh. 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Wedding and portrait photographers, nature and landscape shooters, as well as creative videographers will appreciate the brilliance and power that the EOS 5D Mark IV delivers. Superb image quality is achieved with Canon's all-new 30.4 Megapixel full-frame sensor, and highly-detailed 4K video is captured with ease. Focus accuracy has been improved with a refined 61-point AF system and Canon's revolutionary Dual Pixel CMOS AF for quick, smooth AF for both video and Live View shooting. Fast operation is enhanced with Canon's DIGIC 6+ Image Processor, which provides continuous shooting at up to 7.0 fps. Built-in Wi-Fi®, GPS and an easy-to-navigate touch-panel LCD allow the camera to become an extension of you. 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With base ISOs of 800, 3200, and 12,800, you will be able to maximize the full dynamic range of the sensor in brilliantly lit or low-light shooting conditions.\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eHigh-frame Rate Recording With Auto Focus and Subject Detection\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eWhen recording in slow and fast motion (Slow \u0026amp; Fast, 4:2:2 10-bit), the EOS C80 enables Dual Pixel AF II for frame rates of 100 and 120fps and Subject Detection for frame rates between 72-120fps.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eDual SD Card Slots\u003c\/h4\u003e\u003cp\u003eThe EOS C80 features two SD Card slots supporting simultaneous recording and a variety of recording modes, such as simultaneous recording for backup or proxy files for editing, simultaneous recording of different formats and resolutions, and relay recording, which is critical for lengthy video shoots. The slots are compatible with SD UHS-II, V90-class cards.\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eDual Pixel CMOS AF II\u003c\/h4\u003e\u003cp\u003eThe EOS C80 supports the next generation of Canon’s acclaimed Dual Pixel CMOS Autofocus, Dual Pixel CMOS AF II. The camera’s back-illuminated stacked sensor provides better light-capturing efficiency, widening the area of the sensor that can be used for AF.\u003c\/p\u003e","brand":"Canon Canada Inc.","offers":[{"title":"Default Title","offer_id":40733706027066,"sku":"6389C002","price":7999.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/277338e04c69fdb641feee3b8a857217.jpg?v=1733340538"},{"product_id":"canon-eos-r3-mirrorless-camera-body","title":"Canon EOS R3 Mirrorless Camera Body","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eBuilding on the success of the EOS R series of cameras and leveraging advancements in technology that have come along since, the EOS R3 combines some of the best of both the EOS R5 and EOS-1D X Mark III cameras to provide a robust, high-performance camera. The EOS R3 is the first “3” series camera since the popular EOS-3 film camera launched in 1998.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eAt the heart of the EOS R3 is a Canon developed 24.1 megapixel back-illuminated stacked CMOS sensor which combines with the DIGIC X processor to deliver a higher speed readout, allowing for continuous blackout-free shooting at up to 30 fps in electronic (silent) shutter mode with minimum rolling distortion. The combination also increases the high sensitivity light capturing efficiency of a native ISO of 102400 for still images. The improved Dual Pixel CMOS AF II with 1,053 AF Points features evolved EOS iTR tracking for subjects such as people, animals, as well as select cars and motorcycles down to EV -7.5. The EOS R3 also allows the user multiple ways of controlling AF using Eye Control AF, Smart Controller with home position and the classic multi-controller. The camera also includes a new multi-function hot shoe which alleviates the need for extra batteries and cables in accessories such as microphones and flash transmitters. The EOS R3 also includes flexible connectivity options with built-in wired LAN, GPS, USB, Wi-Fi and Bluetooth.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe Canon EOS R3 is designed to satisfy the most demanding expectations in a camera — emphasizing speed, performance, and reliability.\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eHigh Image Quality with a Back-illuminated Stacked 24.1 Megapixel Full-frame CMOS Sensor\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eThe EOS R3 delivers substantially faster read-out speeds and produces much lower \"rolling shutter\" distortion than previous EOS models. The new sensor architecture also increases light capturing efficiency which leads to cleaner low light photos while possessing the ability to capture them as true 14-bit RAW files in electronic shutter mode.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eDIGIC X Image Processor with an ISO range of 100-102400; Expandable to 204800.\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eThe EOS R3 camera features a powerful DIGIC X Image Processor, enabling high-performance operation and coordination or processes such as Dual Pixel CMOS AF II, Image Stabilization, image processing, and video functionality. Featuring an ISO range of 100-102400 (expandable to 204800), the EOS R3 camera delivers a large range of standard and expanded ISOs (for still images), and a flexible set of auto options to help enhance shooting in varied and fast-changing lighting situations.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eHigh-speed continuous shooting of up to approx. 30 fps with electronic (silent) shutter and up to 12 fps with Mechanical Shutter.\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eDelivering incredible performance at speeds of up to 12 fps with the mechanical shutter and up to 30 fps with the electronic (silent) shutter, the EOS R3 camera can capture the split-second details between a subject’s movements. This is ideal for dynamic action photos such as athletes, animals, cars and motorcycles in motion.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eSuppressed rolling shutter distortion\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eThanks to the high-speed readout of the new sensor, the EOS R3 delivers less rolling shutter distortion in fast moving images.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eImproved Dual Pixel CMOS AF with 1,053 AF Points featuring Vehicle Detection as well as Eye, Face, Head, and Animal Detection.\u003c\/h4\u003e\u003cp\u003eThe EOS R3 camera’s highly responsive Dual Pixel CMOS AF II system has been improved with features such as the incredible 1,053 Automatic AF zones as well as improved servo AF cases utilizing eye, body, face, head (now including helmets), animal and now vehicle subject detection. Fast action can be captured and focus can be maintained throughout each burst capture with speed, accuracy and ease.\u003c\/p\u003e","brand":"Canon Canada Inc.","offers":[{"title":"Default Title","offer_id":40733710024762,"sku":"4895C002","price":6299.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/49e550eb8dda097a168ac57f6f3d8148.webp?v=1733341257"},{"product_id":"canon-eos-r6-mark-ii-mirrorless-camera","title":"Canon EOS R6 Mark II Mirrorless Camera","description":"\u003ch4\u003eDescription\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eBe Creative Beyond Borders\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eIntroducing a standard full-frame camera evolved with hybrid features for still and movie shooting. The EOS R6 Mark II enables various photographic expressions that transcend boundaries between recording personal life and professional production purposes, as well as between photo shooting and movie shooting. Achieve creativity in everyday life with the EOS R6 Mark II.\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eHigh Image Quality Featuring a New 24.2 Megapixel Full-Frame CMOS Sensor\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eThe EOS R6 Mark II features improved resolution compared to its predecessor. A Canon-developed 35mm full-frame CMOS sensor with approx. 24.2 effective megapixels enables the camera to capture sharp and detailed images, even in low-light scenarios. Regardless of conditions — whether day or night, indoor or outdoor — dark portions of the image, even at high ISO speeds and increased sensitivity, are rendered with low noise.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eDIGIC X Image Processor\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eA powerful DIGIC X Image Processor enables high-performance operation and coordination of processes such as Dual Pixel CMOS AF II, Image Stabilization, image processing, and video functionality. The DIGIC X Image Processor helps ensure your photos and videos look sharp and maintain high-resolution with minimal noise or grain.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eHigh-Speed Continuous Shooting\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eFor the first time among full-frame Canon EOS cameras, the EOS R6 Mark II introduces RAW Burst Mode at up to 30 fps. By turning on RAW Burst Mode’s pre-shooting, shooting can start slightly before (about 0.5 seconds earlier) the shutter button is fully pressed.  Coupled with high-speed continuous shooting at speeds of up to 12 fps with mechanical shutter, and up to 40 fps using electronic (silent) shutter, the camera can capture the split-second details between a subject’s movements. This is great for dynamic action photos such as athletes, animals, and vehicles in motion or even capturing momentary changes in facial expressions for portraits.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eBlazing Fast Autofocus\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eThe highly responsive Dual Pixel CMOS AF II system covers up to approximately 100% x 100% of the picture area, breaking the image into up to 1,053 automatically-selected AF zones during Whole Area AF.  The result is outstanding AF coverage, and the compositional freedom to focus sharply on a subject nearly anywhere in the frame.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eHighly Accurate Subject Detection\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eDeveloped using Deep Learning Technology, horses, trains, and airplanes are newly detectable, in addition to conventional subjects like people, animals including dogs, cats and birds, and vehicles — cars and motorcycles — especially in a motorsports environment. For more ease of use, Auto mode is now available, in which the camera automatically selects the type of subject without the need to switch the Subject Detection setting in the menu.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eHead, Face, and Eye Detection\u003c\/h4\u003e\u003cp\u003eEven in situations where many cameras may struggle to detect a subject, the EOS R6 Mark II can locate and focus upon a person’s head, face, or eye when the Subject Detection menu is set to People, allowing more ease of use, fast acquisition of your subject, and improvements to accuracy when capturing videos or still images. Additional control is now available for detecting the subject’s left or right eye – which can be also programmed to a Custom Button making it easy to focus on the preferred eye in the moment.\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eHigh Image Quality Featuring a New 24.2 Megapixel Full-Frame CMOS Sensor\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eThe EOS R6 Mark II features improved resolution compared to its predecessor. A Canon-developed 35mm full-frame CMOS sensor with approx. 24.2 effective megapixels enables the camera to capture sharp and detailed images, even in low-light scenarios. Regardless of conditions — whether day or night, indoor or outdoor — dark portions of the image, even at high ISO speeds and increased sensitivity, are rendered with low noise.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eDIGIC X Image Processor\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eA powerful DIGIC X Image Processor enables high-performance operation and coordination of processes such as Dual Pixel CMOS AF II, Image Stabilization, image processing, and video functionality. The DIGIC X Image Processor helps ensure your photos and videos look sharp and maintain high-resolution with minimal noise or grain.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eHigh-Speed Continuous Shooting\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eFor the first time among full-frame Canon EOS cameras, the EOS R6 Mark II introduces RAW Burst Mode at up to 30 fps. By turning on RAW Burst Mode’s pre-shooting, shooting can start slightly before (about 0.5 seconds earlier) the shutter button is fully pressed.  Coupled with high-speed continuous shooting at speeds of up to 12 fps with mechanical shutter, and up to 40 fps using electronic (silent) shutter, the camera can capture the split-second details between a subject’s movements. This is great for dynamic action photos such as athletes, animals, and vehicles in motion or even capturing momentary changes in facial expressions for portraits.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eBlazing Fast Autofocus\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eThe highly responsive Dual Pixel CMOS AF II system covers up to approximately 100% x 100% of the picture area, breaking the image into up to 1,053 automatically-selected AF zones during Whole Area AF.  The result is outstanding AF coverage, and the compositional freedom to focus sharply on a subject nearly anywhere in the frame.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eHighly Accurate Subject Detection\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eDeveloped using Deep Learning Technology, horses, trains, and airplanes are newly detectable, in addition to conventional subjects like people, animals including dogs, cats and birds, and vehicles — cars and motorcycles — especially in a motorsports environment. For more ease of use, Auto mode is now available, in which the camera automatically selects the type of subject without the need to switch the Subject Detection setting in the menu.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eHead, Face, and Eye Detection\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eEven in situations where many cameras may struggle to detect a subject, the EOS R6 Mark II can locate and focus upon a person’s head, face, or eye when the Subject Detection menu is set to People, allowing more ease of use, fast acquisition of your subject, and improvements to accuracy when capturing videos or still images. Additional control is now available for detecting the subject’s left or right eye – which can be also programmed to a Custom Button making it easy to focus on the preferred eye in the moment.\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eAnimal Detection\u003c\/h4\u003e\u003cp\u003eThe EOS R6 Mark II can effectively track the whole body, face, or eye of cats, dogs, birds, and now horses, for speed and precision — regardless of the animal’s size, posture, or orientation of the face.2\u003c\/p\u003e","brand":"Canon Canada Inc.","offers":[{"title":"Default Title","offer_id":40733712187450,"sku":"5666C002","price":2699.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/767e80c42ac614936d9858dd8d778b71.webp?v=1733341527"},{"product_id":"arri-alexa-35-digital-cinema-camera","title":"Arri Alexa 35 Digital Cinema Camera","description":"\u003ch4\u003eARRI launches the next era of digital cinematography with new ALEXA 35 camera\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eIndustry-leading image quality at native 4K and 120 fps\u003c\/li\u003e\n\u003cli\u003e17 stops of dynamic range, best for HDR\u003c\/li\u003e\n\u003cli\u003e“High ISO” up to EI 6400 and Enhanced Sensitivity Mode\u003c\/li\u003e\n\u003cli\u003eRicher color rendition through REVEAL Color Science\u003c\/li\u003e\n\u003cli\u003eMore creative control via ARRI Textures and wide lens choice\u003c\/li\u003e\n\u003cli\u003eComplete range of accessories and workflow tools\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe ARRI ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensor in 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, better low light performance, and richer colors. The new REVEAL Color Science takes full advantage of the sensor’s image quality, while ARRI Textures enhance in-camera creativity. Easy operation, robust build quality, new accessories, and a complete new mechanical support system round out the ALEXA 35 platform.\u003c\/p\u003e\n\u003ch4\u003eMore dynamic range, contrast, and sensitivity\u003c\/h4\u003e\n\u003cp\u003eALEXA 35 measures at 17 stops of dynamic range (exposure latitude), far more than any other digital cinema camera. Having 1.5 stops more in the highlights and one stop more in the shadows than previous ALEXA cameras, while retaining the naturalistic film-like highlight roll-off, will be game-changing for filmmakers. Sophisticated stray-light suppression in the camera and lens mounts ensures that the full contrast range and character of each lens are captured by the sensor. Together, the increased dynamic range and stray light control make it easier to handle any lighting conditions on set, increase flexibility in post, and provide the best source for HDR (High Dynamic Range) projects.\u003c\/p\u003e\n\u003cp\u003eWith low noise and sensitivity settings ranging from EI 160 to EI 6400, ALEXA 35 is a “High ISO” camera. An optional Enhanced Sensitivity Mode can be applied to settings between EI 2560 and EI 6400, producing an even cleaner image in low 2 light. This exceptional sensitivity, combined with the wider dynamic range and stray-light suppression, allows ALEXA 35 to capture the most delicate nuances of light and shadow in more situations than ever before.\u003c\/p\u003e\n\u003ch4\u003eREVEAL Color Science\u003c\/h4\u003e\n\u003cp\u003eARRI’s discussions with filmmakers and careful review of the image pipeline have led to significant improvements in image quality and a faster, easier workflow. REVEAL Color Science is the collective name for a suite of new image processing steps used by ALEXA 35 internally and also available through leading third-party postproduction tools for ARRIRAW processing. It includes an improved debayering algorithm for cleaner compositing, a new color engine for more accurate color reproduction, a new wide gamut color space for faster grading, new LogC4 encoding to contain the increased dynamic range, and new LogC4 LUTs (Look Up Tables) for improved color fidelity.\u003c\/p\u003e\n\u003cp\u003eWhile bringing out the best of the ALEXA 35’s new sensor, REVEAL Color Science is also backwards compatible. ARRIRAW footage captured by ALEXA LF and Mini LF cameras can be processed with REVEAL Color Science, gaining many of its advantages. This means that the ALEXA 35 and ARRI’s large-format cameras can be combined on set and can also share LogC4 LUTs in post.\u003c\/p\u003e\n\u003ch4\u003eEnhanced creative control\u003c\/h4\u003e\n\u003cp\u003eWith its Super 35 4:3 native 4K sensor, ALEXA 35 can be used with a vast global inventory of existing lenses—modern and vintage, anamorphic and spherical, Super 35 and large format. Filmmakers wanting to shoot with ARRI cameras while having to fulfill 4K mandates now have an immeasurably broader lens choice.\u003c\/p\u003e\n\u003cp\u003eARRI Textures is a unique new feature that allows cinematographers to fundamentally alter the way in which the camera records images, should they wish to. Up until now, ALEXA cameras have been pre-programmed with a default texture that determines the amount and character of grain in the image, and the amount of contrast at different levels of detail, perceived by the viewer as sharpness. For the first time, ALEXA 35 provides the option to choose from a menu of ARRI Textures, much like selecting a film stock.\u003c\/p\u003e\n\u003ch4\u003eEasy operation and new accessory range\u003c\/h4\u003e\n\u003cp\u003eALEXA 35 is the smallest fully-featured ARRI production camera ever, packing the features and processing power of a “larger” ALEXA into a Mini-sized body. Crews will be intuitively familiar with the camera’s simple menu structure; support for 1TB and 2TB Codex Compact Drives; and MVF-2 viewfinder, now with HDR. Fast and easy operation is assured through a new left-side display, Advanced Color Match, pre-recording capability, and a slew of usability improvements such 3 as additional user buttons. A total of 19 recording formats, incorporating efficient in-camera down-sampling and anamorphic de-squeezing, allow productions to optimize data rate, resolution, and other parameters, based on their individual needs. Mixed reality and virtual productions will benefit from the camera’s ability to record lens metadata in all common standards and output real-time streaming metadata to ARRI’s Live Link Metadata Plug-in for Unreal Engine.\u003c\/p\u003e\n\u003cp\u003eALEXA 35 is supported by ARRI’s full suite of online tools, as well as free-of charge standalone apps like the iPhone\/iPad Camera Companion App, ARRI Reference Tool, and ARRIRAW HDE Transcoder.\u003c\/p\u003e\n\u003cp\u003eTemperature resistant, splash and dust-proof, and conceived with future hardware and software updates in mind, ALEXA 35 delivers robust and reliable service on set, a long product cycle, and a safe return on investment.\u003c\/p\u003e\n\u003cp\u003eThe ARRI ALEXA 35 is available to rent from Lapham’s in Vancouver or Canada wide\u003c\/p\u003e","brand":"Lorne Lapham Sales and Rentals","offers":[{"title":"Default Title","offer_id":40737746944058,"sku":"","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/ALEXA-35-Body-LPL-Mount-front-left-hero-on_1.jpg?v=1733943331"},{"product_id":"arri-alexa-mini","title":"Arri Alexa Mini","description":"\u003cp\u003eCompact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eALEXA Mini 4:3 License\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003eThis license, enabled by ALEXA Mini SUP 4.0, provides three new ProRes recording modes that access the full 4:3 sensor area and support the use of anamorphic lenses. The first mode records the highest 4:3 resolution possible, while the other two de-squeeze and re-scale the recorded images in-camera for an efficient, specialized workflow. Monitoring paths for all 4:3 modes offer SDI setups featuring dual 1.5G or 3G outputs.\u003c\/span\u003e\u003cb\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"bluebullets\"\u003e\n\u003cli\u003e\n\u003cb\u003e\u003cspan lang=\"EN-GB\"\u003eProRes 4:3 2.8K\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003e \u003c\/span\u003erecords the full 4:3 sensor area (2880 x 2160) and can be used with anamorphic or spherical lenses. It offers frame rates up to 50 fps and an optional 2x anamorphic de-squeeze for the EVF and SDI monitoring paths.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e\u003cspan lang=\"EN-GB\"\u003eProRes 2.39:1 2K Ana.\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003e \u003c\/span\u003erecords a 2.39:1 standard 2K format (2048 x 858), which does not require any cropping or scaling in post. Due to the in-camera scaling the data rate is reduced, allowing recording speeds up to 120 fps.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e\u003cspan lang=\"EN-GB\"\u003eProRes 16:9 HD Ana.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-GB\"\u003eis for situations where the look of anamorphic lenses is desired but the end product is full 16:9 HD without letterboxing. This mode also supports recording speeds up to 120 fps.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan lang=\"EN-US\"\u003eALEXA Mini ARRIRAW License\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe ARRIRAW License Key, also enabled by ALEXA Mini SUP 4.0, allows ARRIRAW to be recorded to the ALEXA Mini’s in-camera CFast 2.0 cards by wrapping the files in an MXF container. Like ARRIRAW, the new MXF\/ARRIRAW format is uncompressed, unencrypted, and contains audio and metadata. Only the packing is different, so third-party ARRIRAW processing tools such as DaVinci Resolve and Baselight have to be updated with a new SDK, which ARRI has provided for them. ARRIRAW Converter supports MXF\/ARRIRAW from version 3.4, available free of charge on the ARRI website.\u003c\/p\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eVersatile additional tool in the ALEXA camera range\u003c\/li\u003e\n\u003cli\u003eExciting variety of application areas\u003c\/li\u003e\n\u003cli\u003eSuper-lightweight carbon body\u003c\/li\u003e\n\u003cli\u003eExchangeable lens mounts\u003c\/li\u003e\n\u003cli\u003eALEXA sensor and image quality with internal 4:3 \u0026amp; ARRIRAW recording\u003c\/li\u003e\n\u003cli\u003eIntegrated lens motor control and ND filters\u003c\/li\u003e\n\u003cli\u003ePerfect for gimbals and multicopters\u003c\/li\u003e\n\u003cli\u003eFuture-proof technology with 4K UHD, HDR \u0026amp; HFR recording\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lorne Lapham Sales and Rentals","offers":[{"title":"Default Title","offer_id":40737794424890,"sku":"","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/alexa-mini-perspektiven-nebeneinander_1.png?v=1733951605"},{"product_id":"panasonic-aj-hpx3700-varicam-p2hd-camera","title":"Panasonic AJ-HPX3700 Varicam P2HD Camera","description":"\u003cp\u003eThe Panasonic Varicam is well known in the movie industry as a video camera that captures images with an appealing warm, film-like tone and texture. Now the superior image quality and creativity that characterize this ground-breaking camera have been passed on to two advanced new P2 HD camera-recorders. \u003c\/p\u003e\n\u003cp\u003eThe AJ-HPX3700 outputs RGB 4:4:4 images with full-pixel resolution and P-10Log gamma. \u003c\/p\u003e","brand":"Lorne Lapham Sales and Rentals","offers":[{"title":"Default Title","offer_id":40738501984314,"sku":"","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/ajhpx3700_large_1.jpg?v=1734026377"},{"product_id":"red-helium-8k-dsmc2-digital-cinema-camera","title":"RED Helium 8k DSMC2 Digital Cinema Camera","description":"\u003ch4\u003e\u003cspan class=\"light fs-38\"\u003eRESOLUTION MATTERS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eWith superior image quality and best-in-class resolution, RED EPIC-W with HELIUM™ 8K S35 sensor allows content creators everywhere to deliver ultra-detailed still and motion images. RED EPIC-W’s 35 million pixels capture subtle features and tiny nuances that can’t be seen at lower resolutions. At 35.4 megapixels, that’s 4x more resolution than 4K—and over 17x more resolution than HD.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan class=\"light fs-38\"\u003eSUPERIOR IMAGE QUALITY\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eLike the RED WEAPON 8K S35, RED EPIC-W combines advanced color science with incredible dynamic range. The result is cinema quality imagery with vivid colors plus detailed shadows and highlights to produce the most realistic images imaginable.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan class=\"light fs-38\"\u003eEXPANDED FRAME OF MIND\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eFor cinematographers, 8K resolution offers more than just incredible detail. It delivers countless possibilities for reframing, VFX (visual effects), motion stabilization, supersampling footage, and more. More resolution boils down to the ability to do more with your footage in production—all without ever having to reshoot.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan class=\"light fs-38\"\u003eA BETTER WORKFLOW\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe RED EPIC-W is capable of recording REDCODE\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eRAW and proxy 4K Apple ProRes or Avid DNxHR\/HD formats—simultaneously. More recording options and the raw power of REDCODE provide the freedom to choose the workflow that’s right for you. Take advantage of RED’s powerful non-linear editing application, REDCINE-X PRO, to cut dailies, make color corrections, and augment your workflow.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan class=\"light fs-38\"\u003eDSMC2 MODULARITY\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe DSMC2™ form factor is our smallest and lightest BRAIN ever. It is also compatible with a growing arsenal of modules and accessories—from RED and other third party manufacturers. Tack on interchangeable OLPFs and lens mounts and RED EPIC-W gives you the ultimate control over your footage.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan class=\"caps\"\u003eRED EPIC\u003c\/span\u003e-W carries on the legacy of the original\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eEPIC\u003c\/span\u003e, which became the industry workhorse upon its release in 2010. Powered by the HELIUM™ 8K S35 sensor, recipient of the highest DxOMark score ever, RED \u003cspan class=\"caps\"\u003eEPIC\u003c\/span\u003e-W is capable of shooting 8K Full Format at up to 30 frames per second (fps).\u003c\/p\u003e\n\u003cp\u003eAt full 8K resolution RED \u003cspan class=\"caps\"\u003eEPIC\u003c\/span\u003e-W captures 35.4 Megapixels images—delivering more detail and creative possibilities in every frame. With\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eHELIUM\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003esensor advancements, RED \u003cspan class=\"caps\"\u003eEPIC\u003c\/span\u003e-W boasts improved low-light sensitivity and impressive dynamic range. Leveraging lightning fast data rates up to 275 MB\/s, RED \u003cspan class=\"caps\"\u003eEPIC\u003c\/span\u003e-W can record\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eREDCODE\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eRAW\u003c\/span\u003e, as well as proxy 4K Apple ProRes or Avid DNxHR—simultaneously.\u003c\/p\u003e\n\u003cp\u003eJoining the DSMC2 lineup, RED \u003cspan class=\"caps\"\u003eEPIC\u003c\/span\u003e-W benefits from the advanced modularity of the\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eRED\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eecosystem and offers cable-free peripherals, an integrated mounting plate, wireless control, and compatibility with a growing supply of modules and accessories. Also featuring interchangeable OLPFs and lens mounts, RED \u003cspan class=\"caps\"\u003eEPIC\u003c\/span\u003e-W provides an all new perspective with full sensor coverage and support for your arsenal of S35 glass.\u003c\/p\u003e\n\u003cp\u003eThe RED Helium is available for rent and purchase at Lorne Lapham Sales \u0026amp; Rentals in Vancouver and can be shipped nationwide.\u003c\/p\u003e","brand":"Lorne Lapham Sales and Rentals","offers":[{"title":"Default Title","offer_id":40738619719738,"sku":"","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/DSMC2_HELIUM_4_1.png?v=1734042013"},{"product_id":"red-gemini-5k-dsmc2-digital-cinema-camera","title":"RED Gemini 5K DSMC2 Digital Cinema Camera","description":"\u003ch4\u003eGEMINI OFFERS FLEXIBILITY IN ANY SITUATION\u003c\/h4\u003e\n\u003cp\u003eIn Low Light mode, GEMINI™ is RED’s highest sensitivity sensor to date, with significantly increased performance in low-light situations and improved performance in shadows due to the new design.\u003c\/p\u003e\n\u003ch4\u003eRESOLUTION MATTERS\u003c\/h4\u003e\n\u003cp\u003eAll RED cameras deliver stunning resolution and image quality—creating clean and organic images that bring your footage to life. The MONSTRO and HELIUM sensors take the next step in exceeding beauty offered by film – up to 17x more resolution than HD—and over 4x more than 4K.\u003c\/p\u003e\n\u003ch4\u003eSUPERIOR IMAGE QUALITY\u003c\/h4\u003e\n\u003cp\u003eDSMC2 combines advanced color science with incredible dynamic range. The result is cinema image quality that breathes life into your footage. Showcase the depths of shadows as well as highlight roll-off to capture otherwise imperceptible details.\u003c\/p\u003e\n\u003ch4 class=\"white\"\u003eYOUR WORKFLOW. SIMPLIFIED.\u003c\/h4\u003e\n\u003cp\u003eShooting RAW has never been this easy. RED’s proprietary REDCODE RAW file format, also referred to simply as R3D, gives you maximum flexibility during post. DSMC2 offers greater creative freedom via its ability to simultaneously record in both R3D and Apple ProRes or Avid DNxHR\/HD.\u003c\/p\u003e\n\u003cp\u003eThe RED Gemini is available for rent and purchase at Lorne Lapham Sales \u0026amp; Rentals in Vancouver and can be shipped nationwide.\u003c\/p\u003e","brand":"Lorne Lapham Sales and Rentals","offers":[{"title":"Default Title","offer_id":40738666381370,"sku":"","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0558\/6960\/3898\/files\/DSMC2_GEMINI_3_1.png?v=1734047021"},{"product_id":"sony-pxw-fs7-ii-4k-digital-cinema-camera","title":"Sony PXW-FS7 II 4K Digital Cinema Camera","description":"\u003cp\u003eThe Sony FS7 II dramatically improves the experience of shooting with Sony’s ultimate documentary camcorder and simply one of the world’s most versatile Super 35mm camcorders. A host of enhancements, from an all-new lens mount to world-leading Electronic Auto Variable ND system and enhanced ergonomics, transform the possibilities of what you can do.\u003c\/p\u003e\n\u003cp\u003eShoot and move. Handheld, shoulder-mount or suspended from a gimbal. FS7 II delivers the spectacular imagery you expect from Sony.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch4\u003e\u003cb\u003eLever Lock Type E-Mount system\u003c\/b\u003e\u003c\/h4\u003e\n\u003cp\u003eSony’s new mount system securely locks E-Mount lenses to the camera body and enables the use of larger, heavier lenses without need for additional support.\u003c\/p\u003e\n\u003cp\u003eThis breakthrough is based on a clever combination of advanced material science and ingenious engineering. The Lever-Lock Type E-Mount securely holds E-Mount lenses and adapters to the camera body. In fact, it can hold unsupported: Long, cine and zoom lenses of similar weight to unsupported PL-Mount lenses on the F55 (under static and dynamic loading).\u003c\/p\u003e\n\u003cp\u003eOperating the Sony FS7 II Lever Lock Type E-Mount is similar to operating the PL-Mount common to cinema cameras.\u003c\/p\u003e\n\u003cp\u003ePlace the E-Mount lens in the Lever Lock Type E-Mount opening and then, with your free hand, rotate the locking ring in a counterclockwise direction. This securely clamps the E-Mount lens in the mount. When the ring comes to a stop, a secondary latch automatically locks the ring in place to prevent unintentional disengagement. To disconnect the lens, switch off the secondary latch, then rotate the locking ring in the clockwise direction to release the lens.\u003c\/p\u003e\n\u003cp\u003eAll the usual benefits of the E-Mount are retained.\u003c\/p\u003e\n\u003ch4\u003e\u003cb\u003eElectronic Variable ND\u003c\/b\u003e\u003c\/h4\u003e\n\u003cp\u003eSony’s unique new Electronic Variable ND technology, first introduced in the FS5, provides “run and gun” filmmakers with a whole new means to seamlessly adjust exposure while shooting.\u003c\/p\u003e\n\u003cp\u003eVariable ND frees the lens iris from the traditional job of exposure control. With Variable ND, the lens iris can be dedicated instead to the important job of setting depth-of-field. In documentary field work, bright exteriors and dim interiors no longer need automatically result in distracting variations in depth-of-field.\u003c\/p\u003e\n\u003cp\u003eVariable ND also permits any lens to be used consistently at its “sweet spot,” within its best f-stop or T-stop range (peak optical performance for that particular lens). In so doing, Variable ND avoids the image degradation and softening that typically accompanies opening or closing the lens iris too much.\u003c\/p\u003e\n\u003cp\u003eThe Sony FS7 II offers three different Variable ND operation modes: Preset Variable ND, Manual Variable ND and Auto Variable ND. Large, easily accessible switches on the front side of the camera permit quick switching between these modes with the camera on the operator’s shoulder.\u003c\/p\u003e\n\u003ch4\u003e\u003cb\u003ePreset Variable ND\u003c\/b\u003e\u003c\/h4\u003e\n\u003cp\u003eThe ND turret knob enables four presets for ND attenuation. The first preset is “clear,” in other words, no ND. That leaves three preset settings, which are user-selectable in 1\/3 stop steps within the camera’s 2 to 7 stop range.\u003c\/p\u003e\n\u003cp\u003eFor example, each of the three user-selectable ND presets might be set to a desired ND density for each of three particular scenes, which, in combination with iris settings, could give each scene a particular look with regard to depth-of-field.\u003c\/p\u003e\n\u003ch4\u003e\u003cb\u003eManual Variable ND\u003c\/b\u003e\u003c\/h4\u003e\n\u003cp\u003eThis mode is ideal for “run and gun shooting.” The operator can manually adjust exposure by turning either a knurled wheel near the front of the camera or an index-finger wheel on the SmartGrip. In either case, the result is a smooth, seamless adjustment of exposure within a 2 to 7 stop attenuation range. Both control wheels can be user-assigned to control ND density–or one of them can be reassigned to adjust audio level or lens iris.\u003c\/p\u003e\n\u003ch4\u003e\u003cb\u003eAuto Variable ND\u003c\/b\u003e\u003c\/h4\u003e\n\u003cp\u003eAuto ND can entirely replace the Auto Iris function, without any of the aforementioned optical aberrations or degradations caused by changes of iris aperture. Auto ND will prove incredibly useful to a single-person crew shooting nature or conducting interviews outside while the sun comes in and out from behind the clouds. Another critical new use of Auto Variable ND will be for shooting time-lapse of sunsets and sunrises, to ensure a steadily compensating exposure where desired.\u003c\/p\u003e\n\u003cp\u003eNote that any of the ten assignable buttons on the FS7 II can be assigned to toggle “Auto ND” on\/off. This function could be used, for instance, to let the FS7 II quickly establish a ballpark exposure setting, which could then be manually trimmed to taste.\u003c\/p\u003e\n\u003ch4\u003e\u003cb\u003eEvolution of Platform \u003c\/b\u003e\u003c\/h4\u003e\n\u003cp\u003eThe third major development in the FS7 II concerns improved ergonomics and mechanical design.\u003c\/p\u003e\n\u003ch4\u003e\u003cb\u003eA more efficient and versatile operator control layout\u003c\/b\u003e\u003c\/h4\u003e\n\u003cp\u003eButtons and controls are placed at intuitive locations for easy access while shooting. The operator side of the camera now also includes all the necessary controls for operating the new Variable ND feature. And the number of assignable buttons has increased from six to ten.\u003c\/p\u003e\n\u003ch4\u003e\u003cb\u003eA more efficient and versatile viewfinder system\u003c\/b\u003e\u003c\/h4\u003e\n\u003cp\u003eThe viewfinder is the most important camera-operator interface, used for framing every shot. The viewfinder eyepiece, when in use, also provides a contact point for stabilizing the camera while shooting handheld.\u003c\/p\u003e\n\u003cp\u003eThe Sony FS7 II’s new stronger, simpler viewfinder support bracket makes possible quick and easy fine-tuning of the viewfinder’s position–or choosing a radical reconfiguration. To simplify operation, the FS7’s original single lever clamp system is replaced by a double clamp with discrete clamping knobs for both front-to-back and vertical height adjustment. This new design facilitates adjusting the viewfinder while shouldering the camera.\u003c\/p\u003e\n\u003cp\u003eAnother FS7 II viewfinder bracket innovation is use of square rods which retain LCD horizontal alignment.\u003c\/p\u003e\n\u003cp\u003eAttaching the eyepiece to the Sony FS7 II’s LCD is simpler and easier. The FS7’s eyepiece top latch is replaced by a fixed rectangular steel loop that instantly hooks the eyepiece flush and level, perfectly aligned to the LCD. Just secure the bottom latch and you’re good to go.\u003c\/p\u003e\n\u003cp\u003eThe Sony FS7 II’s eyepiece uses an industry-standard 52mm diopter. By removing the rubber eyecup, the original diopter is easily switched out for a diopter matching the operator’s eyeglass prescription. This is a common request of many experienced camera operators.\u003c\/p\u003e\n\u003cp\u003eThe Sony FS7 II introduces a collapsible LCD hood for viewing the LCD without the eyepiece.\u003c\/p\u003e\n\u003cp\u003eThe Sony FS7 II’s mic holder is no longer permanently attached to the end of the short 15mm rod that acts as a cross bar to join the viewfinder support bracket and the mic holder to the front of the handle. The mic holder’s lever clamp now enables removing, reorienting, or relocating the mic holder.\u003c\/p\u003e\n\u003cp\u003eFurthermore, this short 15mm rod can now be replaced for a longer one that enables relocating the viewfinder eyepiece further out for “left eye dominant” operators.\u003c\/p\u003e\n\u003cp\u003eAnother benefit of the Sony FS7 II mic holder removable clamping system is that the viewfinder and mic holder can be transposed in seconds to the opposite side. This enables the operator to comfortably shoot from the camera’s right side. This feature is often requested by experienced 16mm camera operators who once enjoyed the same flexibility from their Aatons and ARRI SRs.\u003c\/p\u003e\n\u003ch4\u003e\u003cb\u003eA smarter SmartGrip arm\u003c\/b\u003e\u003c\/h4\u003e\n\u003cp\u003eThe length of the Sony FS7 II’s SmartGrip can be changed without any tools. The new design uses knobs contoured to facilitate locking and loosening by hand, even when wearing gloves. Furthermore, the new design enables relocating the SmartGrip to a new position, closer to the camera body. This makes it easier to hold the FS7 II against the chest or underarm to permit shooting more comfortably, from more angles.\u003c\/p\u003e\n\u003ch4\u003e\u003cb\u003eMedia easier to eject\u003c\/b\u003e\u003c\/h4\u003e\n\u003cp\u003eXQD cards now project twice as much from their slots in order to facilitate card changeover while wearing gloves\u003c\/p\u003e\n\u003ch4\u003e\u003cb\u003eSignal Processing\u003c\/b\u003e\u003c\/h4\u003e\n\u003cp\u003eThe Sony FS7 II is built upon the proven FS7 platform. The specifications for the sensor, ISO sensitivity, and colorimetry all carry over.\u003c\/p\u003e\n\u003cp\u003eThe Sony FS7 II also has two signal processing modes: Cine-El and Custom. Cine-El offers three color grading spaces for electronic cinematography production. Custom mode hosts broadcast standards; until now, Custom Mode supported ITU Rec. 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